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Felix Frankfurter

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The history of liberty has largely been the history of the observance of procedural safeguards.
--
Writing for the court, McNabb v. United States, 318 U.S. 332 (1943).

 
Felix Frankfurter

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Liberty has never come from the government. Liberty has always come from the subjects of the government. The history of liberty is a history of resistance. The history of liberty is a history of the limitation of governmental power, not the increase of it.

 
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It is a fair summary of history to say that the safeguards of liberty have frequently been forged in controversies involving not very nice people.

 
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History has an ebb and flow of justice, but history also has a visible direction set by liberty and the author of liberty. When the Declaration of Independence was first read in public and the Liberty Bell was sounded in celebration, a witness said, "It rang as if it meant something." In our time it means something still. America, in this young century, proclaims liberty throughout all the world and to all the inhabitants thereof. Renewed in our strength — tested, but not weary — we are ready for the greatest achievements in the history of freedom.

 
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Biographical history, as taught in our public schools, is still largely a history of boneheads: ridiculous kings and queens, paranoid political leaders, compulsive voyagers, ignorant generals— the flotsam and jetsam of historical currents. The men who radically altered history, the great scientists and mathematicians, are seldom mentioned, if at all.

 
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I know that any discussion of the relation of this poem to its historical materials is, in one perspective, irrelevant to its value; and it could be totally accurate as history and still not worth a dime as a poem. I am trying to write a poem, not a history, and therefore have no compunction about tampering with non-essential facts. But poetry is more than fantasy and is committed to the obligation of trying to say something, however obliquely, about the human condition. Therefore, a poem dealing with history is no more at liberty to violate what the writer takes to be the spirit of his history than it is at liberty to violate what he takes to be the nature of the human heart. What he takes those things to be is, of course, his ultimate gamble.

 
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