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The so-called conscientiousness of the great majority of painters is nothing but perfection laboriously applied to the art of being boring.
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1857-01-25 (p. 346)

 

Eugene Delacroix

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If modern painters feel qualms about applying the term "masterpiece" to describe a work of capital importance, this is because it has come to convey a notion of perfection: a notion that leads to much confusion when applied to artists other than those who made perfection their ideal.

 

Andre Malraux

 

The intellectual abstraction of the second (analytical, fh) period of Cubism was of great importance, however. By its aspirations to the eternal and its "concept of proportion inspired by the Classics" it revived the sense of craftsmanship concept in many painters. And this perfectly coincided with another of my ambitions – which was to make, with paint, an object having the same perfection of craftsmanship that a cabinet-maker would put into a piece of furniture.

 

Gino Severini

 

I’d like to tell you that I come from a long line of German aristocracy and that I’m very rich, but actually it’s a very boring explanation. A man called Tommy Tutt married a lady called Jane Rhind, and suddenly I’ve got a very posh name. And then my parents called me Julian, and suddenly I sound like a prospective Tory MP for West London!

 

Julian Rhind-Tutt

 

I've always wanted to be part of the royal family because there are great advantages to being royal. If you're royal, whatever you do is very interesting. Whatever you do, people are very interested in it. Even if you do something very boring, people are still interested in it. If a royal person does something extremely boring, people say, "Oh, isn't it interesting that he's doing something extremely boring." If I do something extremely boring, people say, "Oh how extremely boring" — its not so good.

 

Peter Cook

 

Among the many senses that modern painters have lost, we must number the sense of architecture. The edifice accompanying the human figure, whether alone or in a group, whether in a scene from life or in an historical drama, was a great concern of the ancients. They applied themselves to it with loving and severe spirit, studying and perfecting the laws of perspective. A landscape enclosed in the arch of a portico or in the square or rectangle of a window acquires a greater metaphysical value, because it is solidified and isolated from the surrounding space. Architecture completes nature. (1920)

 

Giorgio de Chirico