The sense of worth derived from creative work depends upon "recognition" by others, which is never automatic. As a result, the path of self-realization, even when it is the only open one, is taken with reluctance. Men of talent have to be goaded to engage in creative work. The groans and laments of even the most gifted and prolific echo through the ages.
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Entry (1953)Eric Hoffer
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device. For that tiny fraction, the copyright creates incentives to produce and distribute the creative work. For that tiny fraction, the copyright acts as an "engine of free expression."
But even for that tiny fraction, the actual time during which the creative work has a commercial life is extremely short. As I've indicated, most books go out of print within one year. The same is true of music and film. Commercial culture is sharklike. It must keep moving. And when a creative work falls out of favor with the commercial distributors, the commercial life ends.Lawrence Lessig
A "critic" is a man who creates nothing and thereby feels qualified to judge the work of creative men. There is logic in this; he is unbiased — he hates all creative people equally.
Robert A. Heinlein
St. Thomas Aquinas ...in the Summa, which remains the greatest work of medieval thought, accepts the idea that certain animals, spring from the decaying bodies of plants and animals, and declares that they are produced by the creative word of God either actually or virtually. He develops this view by saying, "Nothing was made by God, after the six days of creation, absolutely new, but it was in some sense included in the work of the six days"; and that "even new species, if any appear, have existed before in certain native properties, just as animals are produced from putrefaction."
Thomas Aquinas
St. Thomas Aquinas ...in the Summa, which remains the greatest work of medieval thought, accepts the idea that certain animals, spring from the decaying bodies of plants and animals, and declares that they are produced by the creative word of God either actually or virtually. He develops this view by saying, "Nothing was made by God, after the six days of creation, absolutely new, but it was in some sense included in the work of the six days"; and that "even new species, if any appear, have existed before in certain native properties, just as animals are produced from putrefaction."
Thomas Aquinas
The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place… …All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
Marcel Duchamp
Hoffer, Eric
Hoffman, Abbie
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