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Elizabeth Gould Davis

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The misnamed "feminine" woman, so admired by her creator, man — the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more — is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
--
The First Sex, ch. 22 - Woman in the Aquarian Age (1971).

 
Elizabeth Gould Davis

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The embodiment of the unconscious of a woman as a figure of the opposite sex, the animus, also has positive and negative features. The animus, however, does not express itself so often in women as an erotic fantasy or mood, but rather as "sacred" convictions. When these latter are expressed loudly and energetically in a masculine style, this masculine side of a woman is easily recognizable. However, it can also manifest in a woman who appears very feminine externally as a quiet but relentless power that is hard as iron. Suddenly one comes up against something in her that is cold, stubborn, and completely inaccessible.

 
Marie-Louise Von Franz
 

On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 
Joe Orton
 

It is a woman's outstanding characteristic that she can do anything for the love of a man. But those women who can achieve something important for the love of a thing are most exceptional, because this does not really agree with their nature. Love for a thing is a man's prerogative. But since masculine and feminine elements are united in our human nature, a man can live in the feminine part of himself, I and a woman in her masculine part. None the less the feminine element in man is only something in the background, as is the masculine element in woman. If one lives out the opposite sex in oneself one is living in one's own background, and one's real individuality suffers. A man should live as a man and a woman as a woman.

 
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Marie falls back upon her idea, obdurately, and says, "A woman only lives by love and for love. When she's no longer good for that she's no longer anything."
She repeats, "You see — I'm nothing any more."
Ah, she is at the bottom of her abyss! She is at the extremity of a woman's mourning! She is not thinking only of me. Her thought is higher and vaster. She is thinking of all the woman she is, of all that love is, of all possible things when she says, "I'm no longer anything." And I — I am only he who is present with her just now, and no help whatever is left her to look for from any one.
I should like to pacify and console this woman who is gentleness and simplicity and who is sinking there while she lightly touches me with her presence — but exactly because she is there I cannot lie to her, I can do nothing against her grief, her perfect, infallible grief.
"Ah!" she cries, "if we came to life again!"

 
Henri Barbusse
 

"I see you are looking at my feet," he said to her when car was in motion.
"I beg your pardon?" said the woman.
"I said I see you're looking at my feet".
"I beg your pardon. I happened to be looking at the floor," said the woman, and faced the doors of the car.
"If you want to look at my feet, say so," said the young man. "But don't be a God-damned sneak about it."
"Let me out here, please," the woman said quickly to the girl operating the car.
The car doors opened and the woman got out without looking back.
"I have two normal feet and I can't see the slightest God-damned reason why anybody should stare at them," said the young man.

 
J. D. Salinger
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