My idea is that there is music in the air, music all around us, the world is full of it and you simply take as much as you require.
--
In conversation in 1896, quoted in R J Buckley Sir Edward Elgar (London: Bodley Head, 1905), p. 32.Edward Elgar
Music, when combined with a pleasurable idea, is poetry; music without the idea is simply music; the idea without the music is prose from its very definitiveness.
Edgar Allan Poe
I object to background music no matter how good it is. Composers want people to listen to their music, they don't want them doing something else while their music is on. I'd like to get the guy who sold all those big businessmen the idea of putting music in the elevators, for he was really clever. What on earth good does it do anybody to hear those four or eight bars while going up a few flights.
Aaron Copland
[Is "90 Millas" another crossover -- into World Music?] I can see that. The core is African rhythm -- half of the world's music comes from that. The difference between our music and American blues: Cubans may have been slaves, but in Cuba slaves became part of the family. They could buy their freedom. And they are Island people. And Island people are happier. But, you know, in the '80s, when we released "Conga," wasn't that World Music? Everywhere we went, people got it. And why? The drums. So maybe all music is World Music, and the only question is: Do you like it?
Gloria Estefan
The actual quality of game music is very dissapointing today. The demo scene has way better and more interesting music. The simply fact is that demo scene music can usually stand on it's own and game music can't.
Jesper Kyd
"The over-publicized bit about expression (or non-expression) was simply a way of saying that music is supra-personal and super-real and as such beyond verbal meanings and verbal descriptions. It was aimed against the notion that a piece of music is in reality a transcendental idea "expressed in terms of" music, with the reductio ad absurdum implication that exact sets of correlatives must exist between a composer's feelings and his notation. It was offhand and annoyingly incomplete, but even the stupider critics could have seen that it did not deny musical expressivity, but only the validity of a type of verbal statement about musical expressivity. I stand by the remark, incidentally, though today I would put it the other way around: music expresses itself."
Igor Stravinsky
Elgar, Edward
Elham, Gholam-Hossein
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