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A successful artist of any kind has to work so hard that she is justified in refusing to lay down her sceptre until she is placed on the bier.
--
As quoted in Dame Edith Evans, ch. 13, by Bryan Forbes (1977)

 

Edith Evans

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I have a final word of advice to our students. If you work very, very hard, this is the kind of actor, writer and director you may turn out to be, and if you work extra hard, this is the kind of person you may turn out to be.

 

Alan Alda

 

It is ordinarily only a single work, or a single suite of works, which stamps the individual artist as a classic poet, artist, and so on. The same individual may have produces a great many different things, none of which stands in any relation to the classic. Homer has, for example, written a Batrachomyomachia, but this poem has not made him classic or immortal. To say that this is due to the insignificance of the subject is foolish, since the classic depends on perfect balance. If everything that determines a production as classic were to be found solely in the creative artist, then everything produced by him would have to be a classic, in a since similar to, though higher than, that in which bees always produce uniform kind of cells. To explain this by saying that he was more successful on the one case than the other, would be to explain exactly nothing. For, partly, it would be only a pretentious tautology, which only too often in life enjoys the honor of being regarded as an answer; partly, considered as an answer, it lies in another relativity than the one concerning which our question was asked. For it tells us nothing about the relation between form and content, and at best could be taken into account in connection with an inquiry into the formative activity alone.

 

Homer

 

Gandhi rejects the Adam Smith notion of human nature as motivated by self-interest and brute needs and returns us to our spiritual dimension with its impulses for nonviolence, justice and equality.
He exposes the fallacy of the claim that everyone can be rich and successful provided they work hard. He points to the millions who work themselves to the bone and still remain hungry.

 

Nelson Mandela

 

Mathematics is too arduous and uninviting a field to appeal to those to whom it does not give great rewards. These rewards are of exactly the same character as those of the artist. To see a difficult uncompromising material take living shape and meaning is to be Pygmalion, whether the material is stone or hard, stonelike logic. To see meaning and understanding come where there has been no meaning and no understanding is to share the work of a demiurge. No amount of technical correctness and no amount of labour can replace this creative moment, whether in the life of a mathematician or of a painter or musician. Bound up with it is a judgement of values, quite parallel to the judgement of values that belongs to the painter or the musician. Neither the artist nor the mathematician may be able to tell you what constitutes the difference between a significant piece of work and an inflated trifle; but if he is not able to recognise this in his own heart, he is no artist and no mathematician.

 

Norbert Wiener

 

If Adam had finished his course of perfect obedience, he would have been justified: and certainly his justification would have implied something more than what is merely negative; he would have been approved of, as having fulfilled the righteousness of the law, and accordingly would have been adjudged to the reward of it. So Christ, our second surety, (in whose justification all whose surety he is, are virtually justified,) was not justified till he had done the work the Father had appointed him, and kept the Father’s commandments through all trials; and then in his resurrection he was justified. When he had been put to death in the flesh, but quickened by the spirit, 1 Pet. iii. 18. then he that was manifest in the flesh was justified in the spirit, 1 Tim. iii. 16.; but God, when he justified him in raising him from the dead, did not only release him from his humiliation for sin, and acquit him from any further suffering or abasement for it, but admitted him to that eternal and immortal life, and to the beginning of that exaltation that was the reward of what he had done. And indeed the justification of a believer is no other than his being admitted to communion in the justification of this head and surety of all believers; for as Christ suffered the punishment of sin, not as a private person, but as our surety; so when after this suffering he was raised from the dead, he was therein justified, not as a private person, but as the surety and representative of all that should believe in him. So that he was raised again not only for his own, but also for our justification, according to the apostle, Rom. iv. 25. “Who was delivered for our offences, and raised again for our justification.” And therefore it is that the apostle says, as he does in Rom. viii. 34. “Who is he that condemneth? It is Christ that died, yea rather, that is risen again.

 

Jonathan Edwards