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I have often heard Degas say that in painting you must give the idea of the true by means of the false.
--
Walter Sickert, "The Royal Academy," English Review (June 1912)

 

Edgar Degas

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If what we are discussing were a point of law or of the humanities, in which neither true nor false exists, one might trust in subtlety of mind and readiness of tongue and in the greater experience of the writers, and expect him who excelled in those things to make his reasoning most plausible, and one might judge it to be the best. But in the natural sciences, whose conclusions are true and necessary and have nothing to do with human will, one must take care not to place oneself in the defense of error; for here a thousand Demostheneses and a thousand Aristotles would be left in the lurch by every mediocre wit who happened to hit upon the truth for himself. Therefore, Simplicio, give up this idea and this hope of yours that there may be men so much more learned, erudite, and well-read than the rest of us as to be able to make that which is false become true in defiance of nature.

 

Galileo Galilei

 

Degas was discussing poetry with Mallarmé; "It isn't ideas I'm short of... I've got too many" [Ce ne sont pas les idées qui me manquent... J'en ai trop], said Degas. "But Degas," replied Mallarmé, "you can't make a poem with ideas. ... You make it with words." [Mais, Degas, ce n'est point avec des idées que l'on fait des vers. . . . C'est avec des mots.]

 

Stephane Mallarme

 

Who ever heard of a devout deist? Who ever heard of one who was willing to spend his life in missionary labor for the good of others? It is not according to the constitution of the mind that such a system should awaken the affections. And what is true of this system is true of every false system. All such systems leave the heart cold, and, accordingly, exert very little genuine,transforming power over the life.

 

Mark (educator) Hopkins

 

When I am in my painting, I am not aware of what I’m doing. It is only after a short of ‘get acquainted’ period that I see what I have been about. I have no fears about making changes, destroying the image, etc., because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.

 

Jackson Pollock

 

To anyone who is not an artist it must seem rather strange that Degas who could do anything — for whom setting down what he saw presented no difficulties at all — should have continued to draw the same poses year after year — often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.

 

Kenneth Clark