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Edgar Degas

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A strange fellow, this Degas — sickly, a bundle of nerves, with such weak eyes that he is afraid of going blind, yet for these very reasons extremely sensitive to the character of things. He is more skillful in capturing the essence of modern life than anyone I know.
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Edmond de Goncourt, Journal (1874-02-13)

 
Edgar Degas

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Formerly character proved a strong curb for passions; in the present there is not much strength in character, and it grows less and less because of the prevailing scepticism, which is a decomposing element. It is like a bacillus breeding in the human soul; it destroys the resistant power against the physiological craving of the nerves, of nerves diseased. The modern man is conscious of everything, and cannot find a remedy against anything.

 
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My heart is a stone: heavy with sadness for my people; cold with the knowledge that no treaty will keep whites out of our lands; hard with the determination to resist as long as I live and breathe. Now we are weak and many of our people are afraid. But hear me: a single twig breaks, but the bundle of twigs is strong. Someday I will embrace our brother tribes and draw them into a bundle and together we will win our country back from the whites.

 
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To anyone who is not an artist it must seem rather strange that Degas who could do anything — for whom setting down what he saw presented no difficulties at all — should have continued to draw the same poses year after year — often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.

 
Kenneth Clark
 

To anyone who is not an artist it must seem rather strange that Degas who could do anything — for whom setting down what he saw presented no difficulties at all — should have continued to draw the same poses year after year — often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.

 
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Canaris hated not only Hitler and Himmler, but the entire Nazi system as a political phenomenon .. He was everywhere and nowhere at once. Everywhere he traveled, at home and abroad and to the front, he always left a whirl of confusion behind him .. In reality this small, frail, and somewhat timid man was a vibrating bundle of nerves. Extremely well read, oversensitive, Canaris was an outsider in every respect. In bearing and manner of work, he was the most unmilitary of persons.

 
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