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In order to read one must sit down, usually indoors. I am restless and would rather sail a boat than crack a book. I've never had a very lively literary curiosity, and it has sometimes seemed to me that I am not really a literary fellow at all. Except that I write for a living.

 

E. B. White (Elwyn Brooks)

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I am delighted beyond expression by Bourget's book: he has phrases which affect me almost like Montaigne; I had read ere this a masterly essay of his on Pascal; this book does it; I write for all his essays by this mail, and shall try to meet him when I come to Europe. ... I have just been breakfasting at Baiae and Brindisi, and the charm of Bourget hag-rides me. I wonder if this exquisite fellow, all made of fiddle-strings and scent and intelligence, could bear any of my bald prose. If you think he could, ask Colvin to send him a copy of these last essays of mine when they appear; and tell Bourget they go to him from a South Sea Island as literal homage. I have read no new book for years that gave me the same literary thrill as his Sensations d'Italie. If (as I imagine) my cut-and-dry literature would be death to him, and worse than death — journalism — be silent on the point. For I have a great curiosity to know him, and if he doesn't know my work, I shall have the better chance of making his acquaintance.

 

Paul Bourget

 

But not to be acquainted with what is happening in literary France is to feel disgraced, and in the pecking order of literary criticism a Frenchman can humiliate an Englishman just as readily as an Englishman can humiliate an American, and an American a Canadian. One of Canada's most serious literary needs at present is some lesser nation to domineer over and shame by displays of superior taste.

 

Robertson Davies

 

There has died and been buried in this city, during the current week, at an advanced age, a man who is so little known, even by name, to the generation now in the vigor of life that only one newspaper contained an obituary account of him, and this was but of three or four lines. Yet forty years ago the appearance of a new book by Herman Melville was esteemed a literary event, not only throughout his own country, but so far as the English-speaking race extended. To the ponderous and quarterly British reviews of that time, the author of Typee was about the most interesting of literary Americans, and men who made few exceptions to the British rule of not reading an American book not only made Melville one of them, but paid him the further compliment of discussing him as an unquestionable literary force. Yet when a visiting British writer a few years ago inquired at a gathering in New-York of distinctly literary Americans what had become of Herman Melville, not only was there not one among them who was able to tell him, but there was scarcely one among them who had ever heard of the man concerning whom he inquired, albeit that man was then living within a half mile of the place of the conversation. Years ago the books by which Melville's reputation had been made had long been out of print and out of demand.

 

Herman Melville

 

It is fashionable among my friends to disparage [Conrad]. It is even necessary. Living in a world of literary politics where one wrong opinion often proves fatal, one writes carefully.... It is agreed by most of the people I know that Conrad is a bad writer, just as it is agreed that T. S. Eliot is a good writer. And now he is dead and I wish to God they would have taken some great, acknowledged technician of a literary figure and left him to write his bad stories.

 

Joseph Conrad

 

Nobody has to read this book. Nobody has to pick it up. Nobody has to open it. And if you open it and read it, you don't have to like it. And if you read it and you dislike it, you don't have to remain silent about it. You can write to me, you can complain about it, you can write to the publisher, you can write to the papers, you can write your own book. You can do all those things, but there your rights stop. No one has the right to stop me writing this book. No one has the right to stop it being published, or bought, or sold or read.

 

Philip Pullman