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Don DeLillo

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I want to immerse myself in American magic and dread.
--
Ch. 5

 
Don DeLillo

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I understand four manner of dreads. One is the dread of an affright that cometh to a man suddenly by frailty. This dread doeth good, for it helpeth to purge man, as doeth bodily sickness or such other pain as is not sin. For all such pains help man if they be patiently taken. The second is dread of pain, whereby man is stirred and wakened from sleep of sin. He is not able for the time to perceive the soft comfort of the Holy Ghost, till he have understanding of this dread of pain, of bodily death, of spiritual enemies; and this dread stirreth us to seek comfort and mercy of God, and thus this dread helpeth us, and enableth us to have contrition by the blissful touching of the Holy Ghost. The third is doubtful dread. Doubtful dread in as much as it draweth to despair, God will have it turned in us into love by the knowing of love: that is to say, that the bitterness of doubt be turned into the sweetness of natural love by grace. For it may never please our Lord that His servants doubt in His Goodness. The fourth is reverent dread: for there is no dread that fully pleaseth God in us but reverent dread. And that is full soft, for the more it is had, the less it is felt for sweetness of love.'

 
Julian of Norwich
 

God is alive. Magic is afoot. God is alive. Magic is afoot. God is afoot. Magic is alive. Alive is afoot. Magic never died. God never sickened. Many poor men lied. Many sick men lied. Magic never weakened. Magic never hid. Magic always ruled. God is afoot. God was ruler though his funeral lengthened. Though his mourners thickened Magic never fled...

 
Leonard Cohen
 

I suppose that writers should, in a way, feel flattered by the censorship laws. They show a primitive fear and dread at the fearful magic of print.

 
John Mortimer
 

I was now at a university in New York, a professor of existential psychology with the not inconsiderable thesis that magic, dread, and the perception of death were the roots of motivation.

 
Norman Mailer
 

Art is magic. So say the surrealists. But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic. To worship the product and ignore its development leads to dilettantism and reaction. Art cannot result from sophisticated, frivolous, or superficial effects.

 
Hans Hofmann
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