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Dawud Wharnsby

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“We’ve digitized the revelations - does our rehearsed recitation go any deeper than our throats? Our calls to prayer they seem to rise up to the skies, conferences and lectures, seminars for you and I. The words that blow away with the nasheed that make us cry, yet why are the drums so silent?”
--
Why Are The Drums So Silent, album Sunshine, Dust and The Messenger (2002)

 
Dawud Wharnsby

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From every place below the skies
The grateful song, the fervent prayer,—
The incense of the heart, —may rise
To heaven, and find acceptance there.

 
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“Only within this kind of life does a spoken prayer make sense. A prayer in church, at table or in school is only a witness to what we want to make of our entire lives. Such a prayer reminds us that praying is living and it invites us to make this an ever-greater reality. Thus, there are as many ways to pray as there are moments in life. Sometimes we seek out a quiet spot and want to be alone, sometimes we look for a friend and want to be together. Sometimes we like a book, sometimes we prefer music. Sometimes we want to sing out with hundreds, sometimes only whisper with a few. Sometimes we want to say it with words, sometimes with a deep silence.

 
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One of the results of the rapid depersonalization of our age is a crisis of speech, profanation of language. We have trifled with the name of God,we have taken the name and the word of the Holy in vain. Language has been reduced to labels, talk has become double-talk. We are in the process of losing faith in the reality of words.
Yet prayer can happen only when words reverberate with power and inner life, when uttered as an earnest, as a promise. On the other hand, there is a high degree of obsolescence in the traditional language of the theology of prayer. Renewal of prayer calls for a renewal of language, of cleansing the words, of revival of meanings.
The strength of faith is in silence, and in words that hibernate and wait. Uttered faith must come out as a surplus of silence, as the fruit of lived faith, of enduring intimacy.
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First and foremost I am a drummer. After that, I'm other things.... But I didn't play drums to make money. I played drums because I loved them.... My soul is that of a drummer.... It came to where I had to make a decision — I was going to be a drummer. Everything else goes now. I play drums. It was a conscious moment in my life when I said the rest of things were getting in the way. I didn't do it to be come rich and famous, I did it because it was the love of my life.

 
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All the greats respected him the most. ... Common actually stayed with him in his last days -- they both stayed in L.A. together -- and we would go over there when we were working on the album. And I remember him giving me drums. It was such an honor for him to actually give me drums because I'd actually stolen so many drums off of his beat CDs. (laughs) ... Let's also talk about how many rappers bit his style. He even inspired a lot of rappers. The way he would space his words on the beat. The patterns he would get... All that. Whenever people do that, that's Jay Dee all day long. ~ Kanye West, Rapper and Producer, from an interview with Semtex on BBC Radio, February 18th, 2006

 
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