The transmission of musical impulse through gesture.
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A definition of conducting attributed to Jorge Mester, in The Instrumentalist, Vol. 59, (2004)Daniel Theaker
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Within a few years a simple and inexpensive device, readily carried about, will enable one to receive on land or sea the principal news, to hear a speech, a lecture, a song or play of a musical instrument, conveyed from any other region of the globe. The invention will also meet the crying need for cheap transmission to great distances, more especially over the oceans. The small working capacity of the cables and the excessive cost of messages are now fatal impediments in the dissemination of intelligence which can only be removed by transmission without wires.
Nikola Tesla
The one impulse in man which cannot be erased is his impulse toward freedom, his impulse toward sanity, toward higher levels of attainment in all of his endeavors.
L. Ron Hubbard
In the transmission of human culture, people always attempt to replicate, to pass on to the next generation the skills and values of the parents, but the attempt always fails because cultural transmission is geared to learning, not DNA.
Gregory Bateson
Sarojini Naidu : Kingly was Deshbandhu Das in every impulse and gesture of his life, royal alike in the splendour of his bounty and the splendour of his renunciation. As the idol of the nation he served with unsurpassing devotion. To the generations of tomorrow, he will grow into a radiant figure of historic legend and romance, a vital portion of epic beauty and grandeur of their spiritual heritage.
Chittaranjan Das
"The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”
Milton Babbitt
Theaker, Daniel
Themistocles
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