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Daniel Johns

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Being someone who has been the frontman and the songwriter for a band that has been together since I was 12 years old, you do get to that point where you think: 'If I keep doing this for too long it's going to be all I can do' ... which is why in Silverchair I kept changing.
--
The Australian, "Pop goes sad boy of rock" June 2004

 
Daniel Johns

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It spurs me on. I'm going to get over that, I'm a good songwriter, my kids are happy, the band is great and I've almost sorted out all my debts. At least I've never sold my story. I've had countless offers but I'd rather be in a bedsit council flat than splashed all over Hello! or the tabloids. I really would, I have a responsibility to my band and my children as well. I don't believe in it, I'm never ever tempted.

 
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Leaving school had a big impact on me, because it was the only place I could go and maintain normality and feel a part of something and not be Daniel from silverchair. Once that safety blanket had gone I felt uncomfortable about only being Daniel from silverchair.

 
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It’s hard enough having a relationship with one person, but to have a relationship with three other bandmates that you are so intimately tied to and you spend so much time with — and to have that actually work and function — is just astounding. I have been in a band for more than 10 years now. I never thought I’d be doing anything for 10 years straight, let alone a band, and I feel so fortunate for that. I have been allowed for some reason to do that. But it’s even more amazing that we get along better now than we did 10 years ago.

 
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I can tell you I wrote every single word in this [her first children's] book -- in English and Spanish. I've been writing poetry and stories since I was a kid. And I am a songwriter. But you have limitations when you are a songwriter . . . . It was really a luxury to have 31 pages to expound upon.

 
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In the beginning, I just viewed them as a cute teen band riding the grunge wave, then they seemed to 'go away' for awhile, so when I heard that they were 'all grown up,' I didn't think much of it ... but when I came across what they were doing, I was struck by the brilliance of it, and the honesty in it, and realized how wrong I'd been. ... Silverchair's mature work evokes for me the best of highly melodic, emotional music with a true understanding of rock grandeur...those are rare forces, not very often put together.

 
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