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And it's run for the roses
As fast as you can
Your fate is delivered
Your moment's at hand
It's the chance of a lifetime
In a lifetime of chance
And it's high time you joined
In the dance
It's high time you joined
In the dance.
--
Run for the Roses

 

Dan Fogelberg

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"Fire is the first and final mask of my God. We dance and weep between two enormous pyres."
Our thoughts and our bodies flash and glitter with reflected light. Between the two pyres I stand serenely, my brain unshaken amid the vertigo, and I say:
"Time is most short and space most narrow between these two pyres, the rhythm of this life is most sluggish, and I have no time, nor a place to dance in. I cannot wait."
Then all at once the rhythm of the earth becomes a vertigo, time disappears, the moment whirls, becomes eternity, and every point in space — insect or star or idea — turns into dance.

 

Nikos Kazantzakis

 

Teaching Latin to someone like me in high school was somewhat like trying to teach a pig to dance. It's a waste of the teacher's time and it irritates the pig.

 

Fred Thompson

 

The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.

 

Fred Astaire

 

A hundred years from tonight, another American President will stand in this place and report on the State of the Union. He—or she—(applause)—he or she will look back on a 21st century shaped in so many ways by the decisions we make here and now. So let it be said of us then that we were thinking not only of our time, but of their time; that we reached as high as our ideals; that we put aside our divisions and found a new hour of healing and hopefulness; that we joined together to serve and strengthen the land we love.

 

Bill Clinton

 

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

 

Oscar Wilde