Never has there been a close study of how necessary to a man are the experiences which we clumsily call aesthetic. Such experiences are associated with works of art for only an insignificant number of individuals. The majority find pleasure of an aesthetic nature in the mere fact of their existence within the stream of life. In the cities, the eye meets colorful store displays, the diversity of human types. Looking at passers-by, one can guess from their faces the story of their lives. This movement of the imagination when a man is walking through a crowd has an erotic tinge; his emotions are very close to physiological sensations.
Czeslaw Milosz
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Confronted, when the weather is fine and I am in propitious emotional circumstances, with certain landscapes, certain works of art, certain human beings, I know, for the time being, that God's in his heaven and all's right with the world. On other occasions, skies and destiny being inclement, I am no less immediately certain of the malignant impersonality of an uncaring universe. Every human being has had similar experiences. This being so, the sensible thing to do would be to accept the facts and frame a metaphysic to fit them. But with that talent for doing the wrong thing, that genius for perversity, so characteristically human, men have preferred, especially in recent times, to take another course. They have either denied the existence of these psychological facts; or if they have admitted them, have done so only to condemn as evil all such experiences as cannot be reconciled in a logical system with whatever particular class of experiences they have chosen, arbitrarily, to regard as "true" and morally valuable. Every man tries to pretend that he is consistently one kind of person and does his best consistently to worship one kind of God. And this despite the fact that he experiences diversity and actually feels himself in contact with a variety of divinities.
Aldous Huxley
The hypothesis has been proposed that all mental events and experiences, in fact the whole of the outer and inner sensory experiences, are a composite of elemental or unitary mental experiences at all levels of intensity. Each of these mental units is reciprocally linked in some unitary manner to a dendron ... Appropriately we name these proposed mental units 'psychons.' Psychons are not perceptual paths to experiences. They are the experiences in all their diversity and uniqueness. There could be millions of psychons each linked uniquely to the millions of dendrons. It is hypothesized that it is the very nature of psychons to link together in providing a unified experience.
John Carew Eccles
Philosophy finds religion, and modifies it; and conversely religion is among the data of experience which philosophy must weave into its own scheme. Religion is an ultimate craving to infuse into the insistent particularity of emotion that non-temporal generality which primarily belongs to conceptual thought alone. In the higher organisms the differences of tempo between the mere emotions and the conceptual experiences produce a life-tedium, unless this supreme fusion has been effected. The two sides of the organism require a reconciliation in which emotional experiences illustrate a conceptual justification, and conceptual experiences find an emotional illustration.
Alfred North Whitehead
Among the agonies of these after days is that chief of torments — inarticulateness. What I learned and saw in those hours of impious exploration can never be told — for want of symbols or suggestions in any language. I say this because from first to last our discoveries partook only of the nature of sensations; sensations correlated with no impression which the nervous system of normal humanity is capable of receiving. They were sensations, yet within them lay unbelievable elements of time and space — things which at bottom possess no distinct and definite existence. Human utterance can best convey the general character of our experiences by calling them plungings or soarings...
H. P. Lovecraft
Humans need stories — grand compelling stories — that help to orient us in our lives in the cosmos. The Epic of Evolution is such a story, beautifully suited to anchor our search for planetary consensus, telling us of our nature, our place, our context. Moreover, responses to this story — what we are calling religious naturalism — can yield deep and abiding spiritual experiences. And then, after that, we need other stories as well, human-centered stories, a mythos that embodies our ideals and our passions. This mythos comes to us, often in experiences called revelation, from the sages and the artists of past and present times.
Ursula Goodenough
Milosz, Czeslaw
Milton, John
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