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Clive James

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Unreliable Memoirs was just too hard to classify: most of the first wave of American reviewers had convicted it of trying to be truthful and fanciful at the same time. Since I had clearly had no other aim in mind, I read these indictments with sad bewilderment. The most powerful reviewer, in The New York Review of Books, had seized on my incidental remark 'Rilke was a prick' in order to instruct me that Rilke was, on the contrary, an important German poet.
--
Dick Cavett, p.97

 
Clive James

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Rilke used to say that no poet would mind going to gaol, since he would at least have time to explore the treasure house of his memory. In many respects Rilke was a prick.

 
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Rainer Maria Rilke, 1924, Selected Poems of Rainer Maria Rilke, trans. Robert Bly New York, 1981.

 
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I was on a promotional tour in Great Britain, and I stopped in Wales. I was there for three days and I ran out of books to read. I went to a local bookstore and asked the person working there to recommend some books in English. He suggested a collection by a poet who was from the area but warned me that the book wasn’t selling very well. The poet was R. S. Thomas, and I bought everything they had. As I read him, I realized that he was the most important poet I could be reading at that point in my life.

 
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We come after. We know now that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning. To say that he has read them without understanding or that his ear is gross, is cant. In what way does this knowledge bear on literature and society, on the hope, grown almost axiomatic from the time of Plato to that of Matthew Arnold, that culture is a humanizing force, that the energies of spirit are transferable to those of conduct?

 
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You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account

 
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