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Roman Polanski's new film The Pianist is a work of genius on every level, except, alas, for the press-pack promotional slogan attributed to the director himself. "The Pianist is a testimony to the power of music, the will to live, and the courage to stand against evil." If he actually said it, he flew in the face of his own masterpiece, which is a testimony to none of those things. In the Warsaw ghetto, the power of music, the will to live and the courage to stand against evil added up to very little, and The Pianist has the wherewithal to respect that sad fact and make sense of it. In the Warsaw ghetto, what counted was luck, and the luck had to be very good.
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On Polanski's The Pianist

 

Clive James

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Morton Feldman

 

"No golden age to discover now," he whispered. "No end to disease and starvation. No, bright sparkling cities reaching the clouds ... All that I have lived for is gone now. I am so tired." "Then think on this, priest: You stopped the Eternal from finding greater weapons. Your actions here have led to her death. The world is free again." "Free? Of one tyrant perhaps. You think there will be no others?" "No, I do not. But I know there will always be men to stand against them. You grieve because of a pure magic lost. That magic was corrupted by evil. This is how evil thrives. We find an herb that cures disease, and someone will make a poison from it. We forge iron to make a better plow, and someone will make a sharper sword. There can be no power that evil will not corrupt."

 

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My mother's favourite paraphrase is one known in our house as David's because it was the last he learned to repeat. It was also the last thing she read —
Art thou afraid his power shall fail When comes thy evil day? And can an all-creating arm Grow weary or decay?
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J. M. Barrie

 

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