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I always work on the theory that the audience will believe you best if you believe yourself. This meant that I had to come to understand Moses well enough to believe in my portrayal of him.

 

Charlton Heston

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Helnwein has always said that he paints children because they symbolize humanity better than adults. This may be so, but perhaps Helnwein's images are so profoundly disturbing because of the disparity between the portrayal of children- in all their idealized purity- and the portrayal of suffering. His work is a mesmerizing commentary not only on the exploitation of children in our culture, but also on emotional vacancy and moral torpor, which too often implicate us in the pain of others.

 

Gottfried Helnwein

 

Did not Moses go as the Lord’s envoy to the wicked people in order to free them from themselves, from their servile mentality, and from their servile condition under the tyrant’s yoke? Compared with what are called the works of Moses, what is the deed of even the greatest hero; what are demolishing mountains and filling rivers compared with having darkness fall upon all Egypt? But these were really only Moses’ so-called works, because he was capable of nothing at all and the work was the Lord’s. See the difference here. Moses-he is not making decisions and formulating plans while the council of the commonsensical listens attentively because the leader is the wisest-Moses is capable of nothing at all.

 

Soren Aabye Kierkegaard

 

Each work of art is a complete entity existing in its own right and by its own particular logic. It has its own reality and is independent of any particular creed or theory as a justification for its existence. This is not to say that artistic development may be considered as a self-sufficient process unrelated to social reality, because art is always concerned with the deeper and fundamentally human things; and any consideration of art is a consideration of humanity. But it does mean that we cannot apply the principles and logic of the past to a new work of art and hope to understand it. The eternal verities with which the artist is concerned do not change, but our conception of art does, as does our conception of form, and these must be extended if we are to understand fully and basically the meaning of a new work. It is a complex matter, but the elemental principles are always simple. The mass of modern art theory that developed around the fantastic changes of this century's painting can be largely ignored; only one or two fundamental principles are important. Probably most important in the new aesthetics from the painter's point of view was the statement of Degas, seventy years ago, in his unheeded advice to the Impressionists. He spoke then of a "Transformation in which imagination collaborates with memory... It is very well to copy what one sees; it is much better to draw what one has retained in one's memory”…This attitude, and all it implies, underlines the work of practically every painter of importance since 1900. Ultimately, it meant that the day of stage props and models was gone, and that imagination was recognised as the most important quality in an artist.

 

Patrick Swift

 

This fact, that all charges are integral multiples of a fundamental unit, is still one of the unexplained puzzles of fundamental physics. It does not in any way contradict electromagnetic theory, but it is not predicted by it, and until we have a more fundamental theory that explains it, we shall not feel that we really understand electromagnetic phenomena thoroughly. Presumably its explanation will not come until we understand quantum theory more thoroughly than we do at present.

 

John C. Slater

 

With all of our differences, we [members of the audience] all have one thing in common, we’re all gay. Now there are people out there [in audience] going “Do they think we’re gay because we’re here? Do we look gay? I told you this would happen. We’re not going to understand a word of this.” Seriously, though, if you're here you're probably gay. I mean, you have tendencies, you've thought about it. Now there are people [in audience] going “I have thought about it. Does that mean I'm gay? I'm not gay. Is that how they get us?”

 

Ellen DeGeneres