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Charlotte Bronte

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I envy your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure — an inexhaustible source of pure refreshment: is it not?
--
Mr. Rochester to Jane (Ch. 14)

 
Charlotte Bronte

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The ultimate in the reflective relationship between memory and recollections is to use memory against recollection. For opposite reasons, two people could wish not to see again a place that reminds them of an event. The one has no inkling at all that there is something called recollection but merely fears the memory. Out of sight, out of mind, he thinks; if only he does not see, then he has forgotten. Precisely because the other wants to recollect, he does not want to see. He uses memory only against unpleasant recollections. .... Strictly speaking, a fellowship of recollection does not exist.

 
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An immoral society betrays humanity because it betrays the basis for humanity, which is memory. An immoral society deals with memory as some politicians deal with politics. A moral society is committed to memory: I believe in memory. The Greek word alethia means Truth, Things that cannot be forgotten. I believe in those things that cannot be forgotten and because of that so much in my work deals with memory... What do all my books have in common? A commitment to memory.

 
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Not the individual man nor a single generation by its own power can erect the bridge that leads to God. Faith is the achievement of many generations, and effort accumulated over many centuries. … There is a collective memory of God in the human spirit, and it is this memory which is the main source of our faith.

 
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History is nothing but assisted and recorded memory. It might almost be said to be no science at all, if memory and faith in memory were not what science necessarily rest on. In order to sift evidence we must rely on some witness, and we must trust experience before we proceed to expand it. The line between what is known scientifically and what has to be assumed in order to support knowledge is impossible to draw. Memory itself is an internal rumour; and when to this hearsay within the mind we add the falsified echoes that reach us from others, we have but a shifting and unseizable basis to build upon. The picture we frame of the past changes continually and grows every day less similar to the original experience which it purports to describe.

 
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Rilke used to say that no poet would mind going to gaol, since he would at least have time to explore the treasure house of his memory. In many respects Rilke was a prick.

 
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