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In my music, I'm trying to play the truth of what I am. The reason it's difficult is because I'm changing all the time.
--
Statement to Nat Hentoff , as quoted in California Rock, California Sound : The Music of Los Angeles and Southern California (1979) by Anthony Fawcett, p. 56; also in “Jazz : Beyond Time and Nations” in The Nat Hentoff Reader (2001), Part 2 : The Passion of Creation, p. 99

 

Charles Mingus

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To search for truth should be the main goal in one's life. This is a very difficult task. Let us begin by asking what is truth? What is untruth? To make this decision itself is difficult. Once the decision has been made, it is even more difficult to understand the limitations possible even in truth: elements of doubt and illusion. The Ultimate Truth is still far away, even if we are anywhere near relative truth, it should be deemed a great achievement. Those who live by truth sometimes become so dogged in their pursuit that even their truth seems a lie. Without control over passions and practicing neutrality, purity and straightforwardness, do we have a right to seek the truth?

 

Acharya Mahapragya

 

Play us a tune on an unbroken spinet, and let the bells ring, let the bells ring! Play music now: play us a tune on an unbroken spinet. Do not make echoes of forgotten time, do not strike music from old broken keys, do not make ghosts with faded tinklings on the yellowed board; but play us a tune on an unbroken spinet, play lively music when the instrument was new, let us see Mozart playing in the parlor, and let us hear the sound of the ladies' voices. But more than that; waken the turmoil of forgotten streets, let us hear their sounds again unmuted, and unchanged by time, throw the light of Wednesday morning on the Third Crusade, and let us see Athens on an average day.

 

Thomas Wolfe

 

I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.

 

John Cage

 

Music expresses the motion of the waters, the play of curves described by changing breezes.

 

Claude Debussy

 

I think there is an incredible crisis now of how we train performers. Their training encourages them to behave as though they are back in the 19th century, and they are not allowed to get out of that box very much. 'If they play a tiny bit of contemporary music, it's looked on as a bit eccentric, and it's sort of tolerated instead of absolutely encouraged. And they certainly can't improvise, and they find it difficult to encounter jazz or jazz styles. 'I think they're all waking up to this, and it's very difficult for them, because the training and the value systems that get put on them go against what we all know to be the real world. Musicians do want to break out of these constraints. It's slightly boring to just play the same cycle of pieces over and over again.

 

Joanna MacGregor