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Charles Lamb

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A clear fire, a clean hearth, and the rigor of the game.
--
Mrs. Battle's Opinions on Whist; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

 
Charles Lamb

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The fire upon the hearth is low,
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I secretly understood: the primitive appeal of the hearth. Television is — its irresistible charm — a fire.

 
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"We need clear rules to play the game. We need to have respect for the law. If you play a chess game but after two or three moves you can change the rules, how can people play with you? Of course you will win, but after 60 years you will still be a bad player because you never meet anyone who can challenge you. What kind of game is that? Is that interesting? This game is not right, but who is going to say, 'Hey, let’s play fairly?'”

 
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The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to “game stats.” If you take something like Cthulhu in Lovecraft, for example, it is completely incomprehensible and beyond all human categorization. But in the game Call of Cthulhu, you see Cthulhu’s “strength,” “dexterity,” and so on, carefully expressed numerically. There’s something superheroically banalifying about that approach to the fantastic. On one level it misses the point entirely, but I must admit it appeals to me in its application of some weirdly misplaced rigor onto the fantastic: it’s a kind of exaggeratedly precise approach to secondary world creation.

 
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Every boat is copied from another boat... Let’s reason as follows in the manner of Darwin. It is clear that a very badly made boat will end up at the bottom after one or two voyages, and thus never be copied... One could then say, with complete rigor, that it is the sea herself who fashions the boats, choosing those which function and destroying the others.

 
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