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[On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.
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(22 January 2005)

 

Caitlin R. Kiernan

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To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money, money, money everywhere and still not enough, and then no money or a little money or less money or more money, but money, always money, and if you have money or you don't have money it is the money that counts and money makes money, but what makes money make money?

 

Henry Miller

 

So I’m well aware that there are certain people frustrated with the endings of my books. I can remember at the time I was writing it, I told a friend of mine that the climax of Snow Crash was now longer than Moby Dick: There’s a helicopter that gets brought down; there’s a private jet that blows up; some people die; there’s confrontation and a girl goes home with her mom — so it seems like a good ending to me. [audience laughter]
Once you write a book or two with controversial endings — and that meme gets going, of “Stephenson can’t write endings” — then that gets slapped on everything that you do no matter how elaborate the ending is. I think Anathem does OK on that score. I’m sure that I’ll be hearing from some of the “Stephenson can’t write endings” people, but I think that it has a decent enough ending.

 

Neal Stephenson

 

I didn't like the music business and I didn't like me. There's an element of falseness about the whole thing. Even things like doing an interview. It's not as though we just met in the pub and are having a chat — it's part of a process. If you do it all day, every day for years, you end up thinking: 'Who the hell am I?' I was lucky enough to make some money, enough to let me kick back. It was a great experience and it was nice to have a couple of No.1s but the best thing about it was that the money I made allowed me to have freedom and choice in my life.

 

Rick Astley

 

It's absolutely ugly, but unfortunately quite true of the world today; the more money you make, the more people tend to listen to you. If you're not quoted in Fortune or Forbes or the Wall Street Journal, then nobody listens. If you say something that makes a lot of money, whether what you said is true or not, people listen.

 

Jef Raskin

 

I believe the power to make money is a gift of God … to be developed and used to the best of our ability for the good of mankind. Having been endowed with the gift I possess, I believe it is my duty to make money and still more money and to use the money I make for the good of my fellow man according to the dictates of my conscience.

 

John D. Rockefeller