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...and it's a story that might bore you but you don't have to listen, she told me, because she always knew it was going to be like that, and it was, she thinks, her first year, or actually weekend, really a Friday, in September, at Camden, and this was three or four years ago, and she got so drunk that she ended up in bed, lost her virginity (late, she was eighteen) in Lorna Slavin's room, because she was a Freshman and had a roommate and Lorna was, she remembers, a Senior or Junior and usually somestimes at her boyfriend's place off-campus, to who she thought was a Sophomore Ceramics major but who was actually either some guy from N.Y.U., a film student, and up in New Hampshire just for The Dressed to Get Screwed party, or a townie.

 

Bret Easton Ellis

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I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.

 

Edgar Rice Burroughs

 

It was 1971, and the eighteen-year-old Douglas Adams was hitchhiking his way across Europe with a copy of The Hitchhiker's Guide to Europe that he had stolen (he hadn't bothered "borrowing" a copy of Europe on $5 a Day; he didn't have that kind of money).
He was drunk. He was poverty-stricken. He was too poor to afford a room at a youth hostel (the entire story is told at length in his introduction to The Hitchhiker's Guide to the Galaxy: A Trilogy in Four Parts in England, and The Hitchhiker's Trilogy in the US) and he wound up, at the end of a harrowing day, flat on his back in a field in Innsbruck, staring up at the stars. "Somebody," he thought, "somebody really ought to write a Hitchhiker's Guide to the Galaxy."
He forgot about the idea shortly thereafter.
Five years later, while he was struggling to think of a legitimate reason for an alien to visit Earth, the phrase returned to him. The rest is history…

 

Douglas Adams

 

When my dad died at the end of my sophomore year [at university], I stopped and took stock of my life. There was this real sense that my childhood was officially over. I decided I wanted to be an actor. I knew I was loved as a kid. The thing you can always rely on, your core person, comes from your family's attention and love. When my mother got sick, and I'd see her fight to survive, it gave me an early view of bravery and what life was about. I was able to prepare for it. Your mother dies, and you're eighteen, and you face a choice. Are you going to take drugs? Become a drunk? Or are you going to try to become more spiritual? Why not go with the thing that seems more positive? [pause] Why do I tend to be optimistic? Because the alternative is just crushing to my soul.

 

Martin Short

 

I knew that as a freshman when I was a 105lbs I can tell you why I finished playing football. I went to tackle a tight end out on the flat, hit him as hard as I could, and he bounced up and ran back to the huddle. I sat there and ached and said, ‘this is not a very good game for me.’ When I signed the letter of intent to go to Gonzaga in my senior year of high school, I spoke with the baseball coach, and that’s when I gave that up to concentrate solely on basketball.

 

John Stockton

 

If the making of the series had one repeated phrase that still echoes in my head, it was not heard on the soundtrack; the inexorable voice of Lorna Pegram, the producer, muttering: "It's a clever argument, Bob dear, but what are we supposed to be looking at?"

 

Robert Hughes