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I read it for the first time in about 20 years this year–-recently. It wasn't so bad. I get it. I get fan mail now from people who weren't really born yet when the book came out. I don't think it's a perfect book by any means, but it's valid. I get where it comes from. I get what it is. I know that sounds so ambiguous. It's sort of out of my hands and it has its reputation so what can you do about it? There's a lot of it that I wish was slightly more elegantly written. Overall, I was pretty shocked. It was pretty good writing for someone who was 19. I was pretty surprised by the level of writing.
--
On Less Than Zero

 

Bret Easton Ellis

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It is a loose book, impressionistic, hardly coherent as a continuous narrative. It is full of descriptions of court life, and the retelling of court gossip and descriptions of fashionable shrines and how to get there by the most elegant means. It is a piece of writing replete with those typical Japanese wistful and melancholic evocations of ephemerality. It was written a thousand years ago almost exactly to the year the film was made, and it was written by a woman. To be literate a thousand years ago in the West was pretty uncommon; to be literate and a woman, very unlikely; to be literate, female, and quite brilliant, a well-nigh Western impossibility.

 

Sei Shonagon

 

I have read now and then that I am one of the most tragic figures in baseball. Well, maybe that's the way some people look at it, but I don't quite see it that way myself. I guess one of the reasons I never fought my suspension any harder than I did was that I thought I had spent a pretty full life in the big leagues. I was 32 years old at the time, and I had been in the majors 13 years; I had a life time batting average of .356; I held the all-time throwing record for distance; and I had made pretty good salaries for those days. There wasn't much left for me in the big leagues.

 

Shoeless Joe Jackson

 

He thought for a moment, brought back from his reflections. "It was only possible for me to do it," he said, "because it was necessary. I either had to write the book or be reduced to despair; it was the only means of saving me from nothingness, chaos and suicide. The book was written under this pressure and brought me the expected cure, simply because it was written, irrespective of whether it was good or bad. That was the only thing that counted. And while writing it, there was no need for me to think at all of any other reader but myself, or at the most, here and there another close war comrade, and I certainly never thought then about the survivors, but always about those who fell in the war. While writing it, I was as if delirious or crazy, surrounded by three or four people with mutilated bodies — that is how the book was produced."

 

Hermann Hesse

 

Pretty...pretty...pretty......pretty.....pretty good. (Curb Your Enthusiasm, passim)

 

Larry David

 

At present, I am a poet trying to be a soldier. To tell the truth, I am not interested in writing nowadays, except in so far as writing is the expression of something beautiful ... The only sort of book I care to write about the war is the sort people will read after the war is over — a century after it is over.

 

Joyce Kilmer