It just doesn’t attract me. I’m of a certain period, a certain evolution. I hear music differently [...] I mean, for me, comparing electric bass to acoustic bass is sacrilege.
--
http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-whiteBill Evans
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear... Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
Paul Simon
He had developed his own limited, or very simple style. He was never very keen on improving himself as a bass player and half the time I would play bass on the records because I would tend to do it quicker. Right back to those early records; I mean, at least half the bass on all recorded output is me anyway. … Rog used to come in and say, 'Thank you very much' to me once in a while for winning him bass-playing polls.
David Gilmour
I was playing drums, and I had broken my wrist very bad playing football, and the bass player in the band... he wanted to split. So I just went to the bass; I went from Drums over to Bass. That was it. I was playing the bass within a week.
Jaco Pastorius
"Producers like Organized Noize mix samples and live instruments really well, but for me, it almost feels like a cop-out, because I'm a collage artist. It's like, 'Damn, if only I could find this one part. Well, maybe if I just had somebody paint it, and then I'll put it out.' That almost feels like cheating. Lots of times, I have trouble finding bass lines, because it's not very often on a record that there are good open bass lines. Sometimes I wish I could just have somebody come in and do what I want him to do on a bass line. It would be so easy. But what I do just keeps things much more challenging, I guess."
DJ Shadow
I've got one thing to say about being the bass player ... I didn't want the role of being Entwhistle or Bill Wyman, stuck in the background. That's too depressing and if that was what I'd been offered with The Clash I would've turned it down. Maybe that's the nature of the job, or has been in the past; the bass player as the one that held the fort, so to speak, along with the drummer, letting every body else go lunatic.
But, y'know — why can't we all be lunatics?Paul Simonon
Evans, Bill
Evans, Edith
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z