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My voice does get a little gruffy every once in a while, but I've never lost it 100 percent. I do try to warm up my voice before I go out there, but it's more of a nonchalant approach to taking care of it. Just some scales - deep throat valve sounds and what-not. I never like to stress out about it or worry about teas.
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Steve Knopper (January 30, 2003) "Far, Far From Utah for The Used", Newsday, Newsday Inc., p. B33.

 

Bert McCracken

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We have also sound houses, where we practice and demonstrate all sounds and their generation. We have harmonies which you have not, of quarter sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise divers trembling and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices of beasts and birds. We have certain helps which set to the ear to do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as if it were tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have also means to convey sounds in tubes and pipes, in strange lines and distances...

 

Francis Bacon

 

Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.

 

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We've become beings with souls... Something struggles within us. There are moments when something gets into us. Thoughts come to us which are not our own... People are our fathers! The voice that cries out that you want to live; the voice that complains; the voice that reasons; the voice that speaks of eternity — that is their voice!

 

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External silence helps to achieve inner Silence, and only in internal Silence is Baba found — in profound inner Silence. I am never silent. I speak eternally. The voice that is heard deep within the soul is My voice — the voice of inspiration, of intuition, of guidance. Through those who are receptive to this voice, I speak.

 

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Bel canto does not mean beautiful singing alone. It is, rather, the technique demanded by the composers of this style — Donizetti, Rossini, and Bellini. It is the same attitudes and demands of Mozart and Beethoven, for example, the same approach and the same technical difficulties faced by instrumentalists. You see, a musician is a musician. A singer is no different from an instrumentalist except that we have words. You don't excuse things in a singer you would not dream of excusing in a violinist or pianist. There is no excuse for not having a trill, for not doing the acciaccatura, for not having good scales. Look at your scores! There are technical things written there to be performed, and they must be performed whether you like it or not. How will you get out of a trill? How will you get out of scales when they are written there, staring you in the face? It is not enough to have a beautiful voice. What does that mean? When you interpret a role, you have to have a thousand colors to portray happiness, joy, sorrow, fear. How can you do this with only a beautiful voice? Even if you sing harshly sometimes, as I have frequently done, it is a necessity of expression. You have to do it, even if people will not understand. But in the long run they will, because you must persuade them of what you're doing.

 

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