Gambas does not try to be compatible with Visual Basic, and will never be. I'm convinced that its syntax and internals are far better than the one's of its proprietary cousin.
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Quoted from the Gambas Website, http://gambas.sourceforge.net/introduction.htmlBenoit Minisini
» Benoit Minisini - all quotes »
Why is it bad to use an unauthorized copy of a proprietary program? Because it’s proprietary! So an unauthorized copy is almost as nasty as an authorized copy of the same program. They are both nasty because they are proprietary. The users don’t have control over them. If they pay developer – that makes it worse, because they are rewarding this delinquency. That’s why the authorized copy is worse. But they are both bad because they are both proprietary software. If you want freedom, you have to get rid of them both, because they both control you.
Richard M. Stallman
Basic would never have surfaced because there was always a language better than Basic for that purpose. That language was Joss, which predated Basic and was beautiful. But Basic happened to be on a GE timesharing system that was done by Dartmouth, and when GE decided to franchise that, it started spreading Basic around just because it was there, not because it had any intrinsic merits whatsoever.
Alan Kay
When you think of the visual style, when you think of the visual language of a film there tends to be a natural separation of the visual style and the narrative elements, but whit the great whether is Stanley Kubrick, Terrence Malick or Hitchcock what you're seeing is inseparable, a vital relationship between the images and the story he's telling. [from Chistopher Nolan and David Fincher featurette on Movieweb]
Christopher Nolan
The vision we have of conversational programming takes in much more than rapid turn around time and convenient debugging aids: our most interesting programs are never wrong and never final. [...] What is new is the requirement to make variable in our languages what we had previously taken as fixed. I do not refer to new data classes now, but to variables whose values are programs or parts of programs, syntax or parts of syntax, and regimes of control.
Alan Perlis
At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.
Jean-Michel Jarre
Minisini, Benoit
Minnelli, Liza
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