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I said one day that Dole had a temper, and he got madder than hell. He has one. He has a mean one.

 

Barry Goldwater

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Fasting is a shield against (hell) fire. Charity and dole remove and finish sin, as does the remembrance of God in the midnight.

 

Muhammad al-Baqir

 

If something happened along the route and you had to leave your children with Bob Dole or Bill Clinton, I think you would probably leave them with Bob Dole.

 

Bob Dole

 

I have a temper. My mum's got a temper. My brother's got a temper. You've got to have one. You know what happens if you don't have one? One day you're walking down the street and you just pop. You're lying there dead on the pavement because you've been holding and suppressing all this bullshit, you know.

 

Russell Crowe

 

Religion, in its purity, is not so much a pursuit as a temper; or rather it is a temper, leading to the pursuit of all that is high and holy. Its foundation is faith; its action, works; its temper, holiness; its aim, obedience to God in improvement of self, and benevolence to men.

 

Jonathan Edwards

 

It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.

 

Maxfield Parrish