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Your defeat is not only a reality, which has been historically proven time and again. It can also be seen in your helplessness and your inability to suppress the movement, in your desperate conduct when faced with our guerrillas and the vanguard of the people.
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Torture and Resistance in Iran, 1971
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This quote was about the regime of the Shah, who was forced to flee Iran in 1979

 

Ashraf Dehghani

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We have the following of the majority of a class, the vanguard of the revolution, the vanguard of the people, which is capable of carrying the masses with it.

 

Vladimir Lenin

 

One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven—or even proven at all—to be anything deliberate. It is like an invisible political movement; perhaps it isn’t there at all. If a bomb is wired to a car’s ignition, then obviously there is an enemy; if public building or a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfirings—then the victim, whether a person or a party or a country, can never marshal itself to defend itself.

 

Philip Kindred - a.k.a. PKD Dick

 

Then there is the further question of what is the relationship of thinking to reality. As careful attention shows, thought itself is in an actual process of movement. That is to say, one can feel a sense of flow in the stream of consciousness not dissimilar to the sense of flow in the movement of matter in general. May not thought itself thus be a part of reality as a whole? But then, what could it mean for one part of reality to 'know' another, and to what extent would this be possible?

 

David Bohm

 

...golf appeals to the idiot in us, and the child. ... Just how childlike golf players become is proven by their frequent inability to count past five.

 

John Updike

 

If you're going to make a living at this business - more importantly, if you're going to write anything that will last - you have to realise that a lot of the time, you're going to be writing without inspiration. The trick is to write just as well without it as with. Of course, you write less readily and fluently without it; but the interesting thing is to look at the private journals and letters of great writers and see how much of the time they just had to do without inspiration. Conrad, for example, groaned at the desperate emptiness of the pages he faced; and yet he managed to cover them. Amateurs think that if they were inspired all the time, they could be professionals. Professional know that if they relied on inspiration, they'd be amateurs.

 

Philip Pullman