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There is a line among the fragments of the Greek poet Archilochus which says: "The fox knows many things, but the hedgehog knows one big thing." Scholars have differed about the correct interpretation of these dark words, which may mean no more than that the fox, for all his cunning, is defeated by the hedgehog's one defence. But, taken figuratively, the words can be made to yield a sense in which they mark one of the deepest differences which divide writers and thinkers, and, it may be, human beings in general. For there exists a great chasm between those, on one side, who relate everything to a single, universal, organizing principle in terms of which alone all that they are and say has significance — and, on the other side, those who pursue many ends, often unrelated and even contradictory... Their thought is scattered or diffused, moving on many levels, seizing upon the essence of a vast variety of experiences and objects for what they are in themselves, without, consciously or unconsciously, seeking to fit them into, or exclude them from any one unchanging, all-embracing, sometimes self-contradictory and incomplete, at times fanatical, unitary inner vision. The first kind of intellectual and artistic personality belongs to the hedgehogs, the second to the foxes; and without insisting on a rigid classification, we may, without too much fear of contradiction, say that, in this sense, Dante belongs to the first category, Shakespeare to the second.
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Isaiah Berlin in The Hedgehog and the Fox (1957).

 

Archilochus

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There exists a great chasm between those, on one side, who relate everything to a single central vision ... and, on the other side, those who pursue many ends, often unrelated and even contradictory ... The first kind of intellectual and artistic personality belongs to the hedgehogs, the second to the foxes.

 

Isaiah Berlin

 

Even happiness itself may become habitual. There is a habit of looking at the bright side of things, and also of looking at the dark side. Dr. Johnson has said that the habit of looking at the best side of a thing is worth more to a man than a thousand pounds a year. And we possess the power, to a great extent, of so exercising the will as to direct the thoughts upon objects calculated to yield happiness and improvement rather than their opposites.

 

Samuel Smiles

 

Many of the Christian writers grew up in communities where the teaching of the Stoics was all-pervasive in cultured circles. Through this philosophy they became familiar with the concept that "reason pervades all things like a fiery essence, and that the soul of man is a spark from this universal reason." Philo, chief exponent of the Alexandrian school of Judaism, who lived during the period 30 B.C.-50 A.D., was another channel through which Greek ideas flowed into the early [Christian] church. Philo attempted to combine Hebrew religion and Greek philosophy. He gave great impetus to the tendency to allegorize the Old Testament and to derive from it highly speculative ideas which became universal among Christian theologians. Philo's interpretation of the Greek term "Logos" profoundly affected Christian thought.

 

Philo

 

"Words, words, words," he writes, "are the stumbling-blocks in the way of truth. Until you think of things as they are, and not of the words that misrepresent them, you cannot think rightly. Words produce the appearance of hard and fast lines where there are none. Words divide; thus we call this a man, that an ape, that a monkey, while they are all only differentiations of the same thing. To think of a thing they must be got rid of: they are the clothes that thoughts wear—only the clothes. I say this over and over again, for there is nothing of more importance. Other men's words will stop you at the beginning of an investigation. A man may play with words all his life, arranging them and rearranging them like dominoes. If I could think to you without words you would understand me better."

 

Samuel (novelist Butler

 

This is the "apophatic" tradition, in which nothing about God can be put into words. Armstrong firmly recommends silence, having written at least 15 books on the topic. Words such as "God" have to be seen as symbols, not names, but any word falls short of describing what it symbolises, and will always be inadequate, contradictory, metaphorical or allegorical. The mystery at the heart of religious practice is ineffable, unapproachable by reason and by language. Silence is its truest expression. The right kind of silence, of course, not that of the pothead or inebriate. The religious state is exactly that of Alice after hearing the nonsense poem "Jabberwocky": "Somehow it seems to fill my head with ideas — only I don't exactly know what they are." … Armstrong is not presenting a case for God in the sense most people in our idolatrous world would think of it. The ordinary man or woman in the pew or on the prayer mat probably thinks of God as a kind of large version of themselves with mysterious powers and a rather nasty temper. That is the vice of theory again, and as long as they think like that, ordinary folk are not truly religious, whatever they profess. By contrast, Armstrong promises that her kinds of practice will make us better, wiser, more forgiving, loving, courageous, selfless, hopeful and just. Who can be against that?
The odd thing is that the book presupposes that such desirable improvements are the same thing as an increase in understanding — only a kind of understanding that has no describable content. It is beyond words, yet is nevertheless to be described in terms of awareness and truth.

 

Karen Armstrong