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The tattoo can only exist as part of the skin, as a drawing always is an incision in the material and therefore cannot be parted from it.
--
T?pies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 27

 

Antoni Tapies

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You're still a part of everything I do, you're on my heart just like a tattoo,
Just like a tattoo, I'll always have you.

 

Jordin Sparks

 

And you can't part a boy from his father,
You can't part a boy from his dad,
You can't part a Scotchman from money
No matter how many he's had.
You can't part the skin of a sausage
Or a dad from his fond son and heir,
And you can't part the hair on a bald-headed man
For there'll be no parting there.

 

Billy Bennett

 

Starting from a drawing, a pure creation of the mind, I expand it in space by giving it three dimensions, by giving it a material body (in polystyrene, fh) and then enlarge it to the proportions of a site where it can evolve. In this way, instead of having only the drawing before you while remaining anchored in the everyday world, you can finally leave the world and penetrate into drawing, and thus inhabit the creation of the mind instead of merely looking at it prudently in a frame on the wall. The experience consists, therefore, in abstracting yourself totally from the natural everyday world in order to feed your eyes solely on your own mental elaborations.

 

Jean Dubuffet

 

Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.

 

Barbara Hepworth

 

I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don’t see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it’s just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..

 

Franz Kline