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Annie Clark

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Her stage name was inspired by the hospital where Dylan Thomas spent his last hours. “It’s the place where poetry comes to die,” she said, joking. “That’s me."
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"Friendly, and Just a Bit Creepy: St. Vincent Defies Categories" in The New York Times (7 May 2005)

 
Annie Clark

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Forty years ago, when Dylan Thomas read, he spent half the program reciting other poets' work. Hardly a self-effacing man, he was nevertheless humble before his art. Today most readings are celebrations less of poetry than of the author's ego. No wonder the audience for such events usually consists entirely of poets, would-be poets, and friends of the author.

 
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"The stage is the only place where I'm happy." But this has its own sadnesses, like so much love. He is the one person who has to be at a Dylan concert and the one person who can't go to a Dylan concert.

 
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If poetry were nothing but texture, [Dylan] Thomas would be as good as any poet alive. The what of his poems is hardly essential to their success, and the best and most brilliantly written pieces usually say less than the worst.

 
Randall Jarrell
 

The movie stars Michelle Pfeiffer as LouAnne Johnson... [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas... [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.

 
Roger Ebert
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