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Anatole France

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If by Realism we mean Truth, which alone gives value to any study of human nature, we have in Anatole France a very dainty realist: — if by Romanticism we understand that unconscious tendency of the artist to elevate truth itself beyond the range of the familiar, and into the emotional realm of aspiration, then Anatole France is at times a romantic. And, nevertheless, as a literary figure he stands alone; neither by his distinctly Parisian refinement of method, nor yet by any definite characteristic of style, can he be successfully attached to any special group of writers.
--
Lafcadio Hearn, in his introduction to his translation of The Crime of Sylvestre Bonnard (1918)

 
Anatole France

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Religion is one thing, and science another. What if they conflict? Religion is a matter of faith. Faith always gives satisfaction, whereas the truth does not always do so. As for me, I follow Anatole France who enjoins us to keep religion in one compartment of our head and skepticism in another.

 
Epifanio de los Santos
 

We write in the language of Dryden and Addison, of Milton and Shakespeare, but the intellectual world we inhabit is that of Flaubert and Baudelaire; it is to them, and not to their English contemporaries, that we owe our conception of modern life. The artist whose reward is perfection and where perfection can be obtained only by a separation of standards from those of the non-artist is led to adopt one of four rôles: the High Priest (Mallarmé, Joyce, Yeats), the Dandy (Firbank, Beerbohm, Moore), the Incorruptible Observer (Maugham, Maupassant) or the Detached Philosopher (Strachey, Anatole France). What he will not be is a Fighter or Helper.

 
Cyril Connolly
 

The truth of infinite value that he teaches is realism — the doctrine that all truth and beauty are to be attained by a humble and faithful study of nature, and not by substituting vague forms, bred by imagination on the mists of feeling, in place of definite, substantial reality. The thorough acceptance of this doctrine would remould our life; and he who teaches its application to any one department of human activity with such power as Mr Ruskin's, is a prophet for his generation.

 
John Ruskin
 

"A man thinks he is dying for his country," said Anatole France, "but he is dying for a few industrialists." But even that is saying too much. What one dies for is not even so substantial and tangible as an industrialist. [p.224]

 
Simone Weil
 

I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.

 
Cyril Connolly
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