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Other Asian-American writers just shudder when they are compared to me; it really denigrates the uniqueness of their own work. I find it happening less here partly because people are more aware now of the flaws of political correctness — that literature has to do something to educate people. I don't see myself, for example, writing about cultural dichotomies, but about human connections. All of us go through angst and identity crises. And even when you write in a specific context, you still tap into that subtext of emotions that we all feel about love and hope, and mothers and obligations and responsibilities.

 

Amy Tan

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The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.

 

Orhan Pamuk

 

I don't feel the need to be a role model, it's just something that's been thrust upon me. Teachers and a lot of Asian-American organizations, for example, say to me, "We need you to come and speak to us because you're a role model." ... Placing on writers the responsibility to represent a culture is an onerous burden. Someone who writes fiction is not necessarily writing a depiction of any generalized group, they're writing a very specific story.

 

Amy Tan

 

When I went to Spain, right after the Pulitzer I encountered Spanish journalists who are very different from American journalists. One way is that they are all very political. They want their writers to be very political. The first journalist that I met when I was there asked "Are you going to use your prize for political purposes?" I said, "Good Lord, no, I wouldn’t trade on it—I’m a professional liar. I tell stories. I make things up." They were appalled. They made it very clear to me that that was the wrong answer and that it was further evidence of what was wrong with American authors and Americans, in general, was that we were insular. Which we are. And that we were not bearing our responsibilities in the world. And that fame that is ours has been wasted on people like us because we won’t use it for good purposes. American writers are probably far more insular than we should be, nevertheless I am very much of the other persuasion. That people should not talk about what they don’t know.

 

Richard Russo

 

“No one can learn to love by following a manual, and no one can learn to write by following a course. I’m not telling you to seek out other writers but to find people with different skills from yourself, because writing is no different from any other activity done with joy and enthusiasm.”

 

Paulo Coelho

 

"I'm an American Negro; as such, I've had a burden of race consciousness. So have these people. I worked in my youth as a common laborer, and I've had a class consciousness. So have these people. I grew up in the Methodist and Seventh Day Adventist churches and I saw and observed religion in my childhood; and these people are religious. I was a member of the Communist Party for twelve years and I know something of the politics and psychology of rebellion.... These emotions are my instruments.... I want to try to use these emotions to try to find out what these people feel and think and why."

 

Richard Wright