What I would prefer to have is to have a kind of magic where we say, "OK, we’re going to do a magical performance on this night, at this time. You come along, if you don’t think it’s magical, that’s fine. We’ll show you. We’ll show you what we mean, and you judge for yourself." That’s only fair. So a lot of the magic we do tends to gravitate toward the practical end, toward something that is tangible. Where you’ve got a record at the end of it, a performance at the end of it, a painting at the end of it. You’ve conjured some energy, some idea, some information from somewhere and put it in a tangible form. You conjure something into existence in a literal sense. A rabbit out of a hat. Something out of nothing. That’s one level to it, but there’s a lot of background to that. That’s the stuff that people see, that’s the end result of the process. But we also do a lot of ritual work purely on our own.
Alan Moore
Clarke's Third Law doesn't work in reverse. Given that "any sufficiently advanced technology is indistinguishable from magic," it does not follow that "any magical claim that anybody may make at any time is indistinguishable from a technological advance that will come some time in the future." ... There have admittedly been occasions when authoritative, pontificating skeptics have come away with egg on their faces, even within their own lifetimes. But there have been a far greater number of occasions when magical claims have never been vindicated. An apparent magical claim might eventually turn out to be true. In any age there are so many magical claims that are, or could be, made. They can't all be true; many are mutually contradictory; and we have no reason to suppose that, simply by the act of sitting down and dreaming up a magical claim, we shall make it come true in some future technology. Some things that would surprise us today will come true in the future. But lots and lots of things that would surprise us today will not come true ever.
Arthur C. Clarke
All the comics are sigils. "Sigil" as a word is out of date. All this magic stuff needs new terminology because it's not what people are being told it is at all. It's not all this wearying symbolic misdirection that's being dragged up from the Victorian Age, when no-one was allowed to talk plainly and everything was in coy poetic code. The world's at a crisis point and it's time to stop bullshitting around with Qabalah and Thelema and Chaos and Information and all the rest of the metaphoric smoke and mirrors designed to make the rubes think magicians are "special" people with special powers. It's not like that. Everyone does magic all the time in different ways. "Life" plus "significance" = magic.
Grant Morrison
New-age woolly-hat Glastonbury mystics weary me, sometimes, but they talk about energy, the energy of a place, of a person. We all know what they mean, but at the same time it has to be said that this is not energy that is going to show up on an autometer. We’re not talking about energy in the conventional sense that physics talks about energy. To me, energy is information – I think you can make that bold a statement. The only lines of energy that link up disparate sites in London are lines of information, that have been drawn by an informed mind. The energy that we put forth is information we have taken in. We will see a work of art and it will give us inspiration, it will give us energy. It’s given us information that we can turn to our own use and put out as something else. That’s the kind of energy that we – and psychogeography – are talking about.
Alan Moore
"Look, I'm a coach, I'm not Harry Potter. He is magical, but in reality there is no magic. Magic is fiction and football is real."
Jose Mourinho
"When you go to a show you should see more than four or five dudes on the stage basically playing the CD back to you. You're going to see a show, do something entertaining. The Celldweller live show involves performance art elements, a lot of percussive elements, and video synchronization to the music- as well as the energy of a total live band. Hopefully it's something different than people are accustomed to seeing. I've never been afraid of being different and a lot of times when you do that you're not accepted immediately. That's okay. I've been doing this long enough, if they get it they get it, if they don't, they don't. I don't really care."
Klayton
Moore, Alan
Moore, C. L.
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