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He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.
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p. 212

 

Alain de Botton

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I have not permitted myself, gentlemen, to conclude that I am the best man in the country; but I am reminded, in this connection, of a story of an old Dutch farmer, who remarked to a companion once that it was not best to swap horses when crossing streams.

 

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The limitations of our strength compelled us to concentrate on two objectives - the points which seemed the most essential to the success of the invasion. The main effort, under my own control, was directed against the bridges at Rotterdam, Dordrecht and Moerdijk by which the main route from the south was carried across the mouths of the Rhine. Our task was to capture the bridges before the Dutch could blow them up, and keep them open until the arrival of our mobile ground forces. My force comprised four parachute battalions and one air-transported regiment (of three battalions). We achieved complete success, at a cost of only 180 casualties. We dared not fail, for if we did the whole invasion would have failed. The secondary attack was made against The Hague. Its aim was to get a hold upon the Dutch capital, and in particular to capture the Government offices and the Service headquarters. The force employed here was commanded by General Graf Sponcck; it consisted of one parachute battalion and two air-transported regiments. This attack did not succeed. Several hundred men were killed and wounded, while as many were taken prisoner.

 

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"Bergkamp. He had the finest technique [of all Dutch players]." — Guus Hiddink

 

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She regarded it as a first charge of her slender war-budget to see that French and Dutch independence were maintained against Philip. This was secured, partly by English help and by the holding of the seas, and partly by domestic alliance of the Calvinists with Catholic 'politiques' averse to Spanish domination; it followed that an element of liberality and toleration very rare in the Europe of that day made itself felt in France and in Holland in a manner agreeable to Elizabeth's eclectic spirit.

 

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