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William Somerset Maugham

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Old age is ready to undertake tasks that youth shirked because they would take too long.
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p. 290

 
William Somerset Maugham

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What our age needs is an honest earnestness which affectionately preserves the tasks, which does not alarm people into wanting to rush pellmell into the highest but keeps the tasks young and beautiful and lovely to look at and beckoning to all and yet for all that difficult and inspiring to the noble, for the noble nature is inspired only by what is difficult. My listener, how did I dare to be so impolite as to doubt that I shall succeed in inspiring you — for I have the difficulties all ready.

 
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Coming to the farm from Worcester, where Coloured people seem to have to beg for whatever they get, he is relieved at how correct and formal relations are between his uncle and the volk. Each morning, his uncle confers with his two men about the day's tasks. He does not give them orders. Instead he proposes the tasks that need to be done, as if dealing cards on a table; his men deal their own cards too. In between, there are pauses, long, reflective silences in which nothing happens.

 
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Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.

 
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I wrote it [Maurice] neither for my friends or the public—but because it was weighing on me; and my previous training made me write it as literature, though for a long time I meant to show it no one at all. [...] I am much dependant on criticism and now, backed by you and some others, do feel that I have created something absolutely new, even to the Greeks. Whitman nearly anticipated me but he didn't really know what he was after, or only half knew—shirked, even to himself, the statement.

 
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I have learned that success is to be measured not so much by the position that one has reached in life as by the obstacles which he has overcome while trying to succeed. Looked at from this standpoint, I almost reached the conclusion that often the Negro boy's birth and connection with an unpopular race is an advantage, so far as real life is concerned. With few exceptions, the Negro youth must work harder and must perform his tasks even better than a white youth in order to secure recognition. But out of the hard and unusual struggle through which he is compelled to pass, he gets a strength, a confidence, that one misses whose pathway is comparatively smooth by reason of birth and race.

 
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