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William Jennings Bryan

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Character is the entity, the individuality of the person, shining from every window of the soul, either as a beam of purity, or as a clouded ray that betrays the impurity within. The contest between light and darkness, right and wrong, goes on; day by day, hour by hour, moment by moment, our characters are being formed, and this is the all-important question which comes to us in accents ever growing fainter as we journey from the cradle to the grave, "Shall those characters be good or bad?"

 
William Jennings Bryan

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They will ask: "Who gave you the Teaching?"
Answer: "The Mahatma of the East."
They will ask: "Where does He live?"
Answer: "The abode of the Teacher not only cannot be made known but cannot even be uttered. Your question shows how far you are from the understanding of the Teaching. Even humanly you must realize how wrong your question is."
They will ask: "When can I be useful?"
Answer: "From this hour unto eternity."
"When should I prepare myself for labor?"
"Lose not an hour!"
"And when will the call come?"
"Even sleep vigilantly."
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"Enhancing the quality of labor."

 
Nicholas Roerich
 

It's a strange moment, the moment of creating characters who up to that moment have had no existence. What follows is fitful, uncertain, even hallucinatory, although sometimes it can be an unstoppable avalanche. The author's position is an odd one. In a sense he is not welcomed by his characters. They resist him, they are not easy to live with.

 
Harold Pinter
 

If someone asks you where you get your characters... and they're sure to do that... you always say, "He's a combination of a lot of people I have known." That way, if your character is a damn fool, nobody will want to identify with him... To tell the truth, I don't know how a man gets a character for a story, anymore than I know how he falls in love. I don't know if his characters spring full-blown from his head, or if he sees a man walking down the street and recognises him instantly... I doubt any writer knows for sure where his characters come from.

 
Robert E. Howard
 

"I think right now is the moment. This is the beginning. We don’t know what is it the moment of, and maybe something much crazier will happen. But really, we see the sunshine coming in. It was clouded for maybe a hundred years. Our whole condition was very sad, but we still feel warmth, and the life in our bodies can still tell that there is excitement in there, even though death is waiting. We had better not enjoy the moment, but create the moment."

 
Ai Weiwei
 

A person can be both good and evil, just as it is quite simply said that a human being has a disposition to both good and evil, but one cannot simultaneously become both good and evil. Esthetically, the poet has been required not to depict these abstract models of virtue or diabolical characters but to do as Goethe does, whose characters are both good and evil. And why is this a legitimate requirement? Because we want the poet to depict human beings as they are, and every human being is both good and evil, and because the poet’s medium is the medium of imagination, is being but not becoming, at most is becoming in a very foreshortened perspective. But take the individual out of this medium of imagination, out of this being, and place him in existence-then ethics immediately confronts him with its requirement, whether he now deigns to become, and then he becomes-either good or evil. In the earnest moment of self-contemplation, in the sacred moment of confession, the individual removes himself from the process of becoming and in the realm of being inspects how he is. Alas, the result unfortunately is that he is both good and evil, but as soon as he is again in the process of becoming he becomes either good or evil.

 
Soren Aabye Kierkegaard
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