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Weird Al Yankovic

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I wrote "Eat It" because I wanted to buy a house. It worked.
--
I Love the 80's 3D, VH1, 1985

 
Weird Al Yankovic

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"I went to New York. I had a dream. I wanted to be a big star. I didn’t know anybody. I wanted to dance. I wanted to sing. I wanted to do all those things. I wanted to make people happy. I wanted to be famous. I wanted everybody to love me. I wanted to be a star. I worked really hard and my dream came true." (Spoken at the beginning of the Virgin Tour concert video).

 
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"I went to New York. I had a dream. I wanted to be a big star. I didn’t know anybody. I wanted to dance. I wanted to sing. I wanted to do all those things. I wanted to make people happy. I wanted to be famous. I wanted everybody to love me. I wanted to be a star. I worked really hard and my dream came true." (Spoken at the beginning of the Virgin Tour concert video).

 
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On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.

 
Hilary Duff
 

"Tommy (Victor of the band Prong) didn't rip off my sound. I asked him to do some stuff for me for the Argyle Park project. He and I worked on what he would actually do. We decided vocals on one song and guitar on another. He actually wrote the riff to 'Doomsayer'. A few months later, he told me he wanted to use the riff for the upcoming Prong CD. No problem."

 
Klayton
 

[About going upstairs to "kill his son."] So I say, "Your mother sent me up here to kill you." He says, "Uh-huh." So I looked at him. And I noticed that from here...[points to one side of his head and circles around to the other side] all the way around to here...there was no hair! I said, "Son?" Called him "son". "What happened to your hair?" He said, "I don't know." I said, "Son, take your hand and put it on top of your head and tell me what you feel." He said, "There's no hair." I said, "Right! Now, tell Dad what happened to your hair." He said, "I don't know." I said, "Son, was your head with you all day today?" He said, "Uh-huh." I said, "Was this the hairstyle you wanted?!" He said, "Uh-huh." I said, "A reverse MOHAWK?!!" He said, "Uh-huh." I said, "Did you cut your hair off?" He said, "Uh-huh." I said, "Well, why didn't you tell me that?" He said, "I don't know!" I said, "Is this the hair style you wanted?!" He said "Uh-huh!" I said, "A REVERSED mohawk?!" So I went back downstairs, and my wife said "DID YOU KILL HIM?!" I said "No!" She said, "Why?" I said "I don't know!!!"

 
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