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Wassily Kandinsky

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..Lohengrin at the Court theatre in Moscow and the painting of Monet: the Hayststacks.. ..that stamped my life and shook me to the depths of my being.
--
Anna Moszynska, Abstract Art, Thames and Hudson, 1990

 
Wassily Kandinsky

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I like the liveness of it (theatre, fh) – that awful feeling of being on the spot. I must assume the responsibility for that moment, for those actions that happen at that particular time. I don’t find theatre that different from painting, and it’s not that I think of painting as theatre or vice versa. I tend to think of working as a kind of involvement with materials, as well as rather focused interest which changes.

 
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But what an eye Monet has, the most prodigious eye since painting began! I raise my hat to him. As for Courbet, he already had the image in his eye, ready-made. Monet used to visit him, you know, in his early days. . ..But a touch of green, believe me, is enough to give us a landscape, just as a flesh tone will translate a face for us..

 
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Monet’s cliffs will survive as a prodigious series, as will a hundred others of his canvases.. ..He’ll be in the Louvre, for sure, alongside Constable and Turner. Damn it, he’s even greater. He painted the iridescence of the earth. He’s painted water. Remember those Rouen cathedrals (Monet painted, fh).. ..But where everything slips away in these pictures of Monet's, nowadays we must insert a solidity, a framework..

 
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The theatre couldn't match what was going on in a court of law or at football grounds. The theatre has never been able to match what goes on anywhere, that's why so few people go.

 
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The vision of the artist or the poet is the intermediate determinant between the subject (the person) and the objective pole (the world-waiting-to-be). It will be nonbeing until the poet's struggle brings forth an answer — meaning. The greatness of a poem or a painting is not that it portrays the thing observed or experienced, but that it portrays the artist's or the poet's vision cued off by his encounter with the reality. Hence the poem or the painting is unique, original, never to be duplicated. No matter how many times Monet returned to paint the cathedral at Rouen, each canvas was a new painting expressing a new vision.

 
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