He sounded like Jean-François Revel, a French socialist writer who talks about one of the great unexplained phenomena of modern astronomy: namely, that the dark night of fascism is always descending in the United States and yet lands only in Europe.
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"The Intelligent Coed's Guide to America"Tom Wolfe
Kierkegaard is one of the great writers of today. He is one of the men who, during the last twenty or thirty years, modern civilization has recognized as a man whose writings express the modern temperament and the modern personality. And Dick assured me that he was reading Kierkegaard because everything he read in Kierkegaard he had known before. What he was telling me was that he was a black man in the United States and that gave him an insight into what today is the universal opinion and attitude of the modern personality. I believe that is a matter that is not only black studies, but is white studies too. I believe that that is some form of study which is open to any university: Federal City College, Harvard, etc. It is not an ethnic matter. I knew Wright well enough to know that he meant it. I didn’t ask him much because I thought he meant me to understand something. And I understood it. I didn’t have to ask him about that. What there was in Dick’s life, what there was in the experience of a black man in the United States in the 1930s that made him understand everything that Kierkegaard had written before he had read it and the things that made Kierkegaard the famous writer that he is today? That is something that I believe has to be studied.
Richard Wright
..In 1936, when the last issue of 'Abstraction-Création' appeared, Europe was in a deep slump. Hitlerism was rampant in Germany and many artists had already fled there.. ..There were evil portents on the horizon; night was about to descend over Europe. It was at that moment that America took up the case of abstract art. The association of 'American Abstract Artists' was founded that year, and it was also in 1936 that the exhibition '‘Cubism and Abstract Art' was held at the Museum of Modern Art in New York.. ..At about this time a flood of refugees – artists, intellectuals, and men of science – began to pour into the United States.
Michel Seuphor
European mysticism was not dead at the time the United States of America was founded. The hand of the mysteries controlled in the establishment of the new government for the signature of the mysteries may still be seen on the Great Seal of the United states of America. Careful analysis of the seal discloses a mass of occult and Masonic symbols chief among them, the so-called American Eagle. ... the American eagle upon the Great Seal is but a conventionalized phoenix... Not only were many of the founders of the United States government Masons, but they received aid from a secret and august body existing in Europe which helped them to establish this country for a peculiar and particular purpose known only to the initiated few. The Great Seal is the signature of this exalted body—unseen and for the most part unknown—and the unfinished pyramid upon its reverse side is a trestleboard setting forth symbolically the task to the accomplishment of which the United States Government was dedicated from the day of its inception.
Manly Palmer Hall
I have a message for the political elites in Washington, D.C. The United States of America is not going to become the United States of Europe, not on our watch.
Herman Cain
[It is a] killing field of the like of which I thought we would never see in Europe again [and is] not worthy of Europe, not worthy of the west and not worthy of the United States... This is happening in the heart of Europe and we have not done more to stop it. It is in Europe's sphere of influence. It should be in Europe's sphere of conscience... We are little more than an accomplice to massacre.
Margaret Thatcher
Wolfe, Tom
Wolff, Christian
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