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Thomas Love Peacock

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I never failed to convince an audience that the best thing they could do was to go away.
--
Crotchet Castle, chapter XVIII

 
Thomas Love Peacock

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I'm very concerned with the performer, but I'm not too concerned with the listener. It seems to me that if you can interest the performer and make him feel that he's done something really valuable, his playing will convince the audience just that. To write for the audience is just too uncertain. You never know what your audience may be like, but you can usually know what your performers will be like. A good musician has the training to appreciate all sorts of things you might try to do in a piece. A performer will also recognize whether a piece is skillfully written or original -- an audience might not always be so sure.

 
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There is no such thing as a failed soldier, dead or alive (unless he acted in a cowardly manner)—likewise there is no such thing as a failed entrepreneur or failed scientific researcher ...

 
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With all of our differences, we [members of the audience] all have one thing in common, we’re all gay. Now there are people out there [in audience] going “Do they think we’re gay because we’re here? Do we look gay? I told you this would happen. We’re not going to understand a word of this.” Seriously, though, if you're here you're probably gay. I mean, you have tendencies, you've thought about it. Now there are people [in audience] going “I have thought about it. Does that mean I'm gay? I'm not gay. Is that how they get us?”

 
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Armenag Saroyan was the failed poet, the failed Presbyterian preacher, the failed American, the failed theological student.

 
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The true Enlightenment thinker, the true rationalist, never wants to talk anyone into anything. No, he does not even want to convince; all the time he is aware that he may be wrong. Above all, he values the intellectual independence of others too highly to want to convince them in important matters. He would much rather invite contradiction, preferably in the form of rational and disciplined criticism. He seeks not to convince but to arouse — to challenge others to form free opinions.

 
Karl Popper
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