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Don't you remember sweet Alice, Ben Bolt?
Sweet Alice, whose hair was so brown;
Who wept with delight when you gave her a smile,
And trembled with fear at your frown!
--
Ben Bolt, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

 

Thomas Dunn English

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More: I am faint when I think of the worst that they may do to me. But worse than that would be to go without you not understanding why I go.
Alice: I don't!
More: Alice, if you can tell me that you understand, I think I can make a good death, if I have to.
Alice: Your death's no "good" to me!
More: Alice, you must tell me that you understand!
Alice: I don't! I don't believe this had to happen.
More: If you say that, Alice, I don't know how I'm to face it.
Alice: It's the truth!
More: You're an honest woman.
Alice: Much good it may do me! I'll tell you what I'm afraid of: that when you're gone, I shall hate you for it.

 

Robert Bolt

 

Yet fill my glass: give me one kiss:
My own sweet Alice, we must die.
There's somewhat in this world amiss
Shall be unriddled by and by.
There's somewhat flows to us in life,
But more is taken quite away.
Pray, Alice, pray, my darling wife,
That we may die the self-same day.

 

Alfred (Lord) Tennyson

 

...And it was about four or five hours later that Alice — Remember Alice? It's a song about Alice.

 

Arlo Guthrie

 

In the early days when I was drinking ... I had a very blurry line about where those two were... but I mean, that happens when you drink twenty-two hours a day. I would just sit and drink. I didn’t know whether or not I was supposed to be Alice when I went out for dinner and was a little lit. Then there was the question about whether or not I should wear the make up because I didn’t really want to disappoint anyone. Was I supposed to get into trouble? Was I supposed to get arrested that night? All of those questions went through my mind. You have to remember though who my older brothers and sisters were though--guys like Jim Morrison and Keith Moon and all the people who were living that life. After they all died, I just sat there and went, “if one generation is going to learn from the next the truth is going to have to be that you don’t have to die to be your character.” I figured then that I had better be able to separate the two. When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me. .. I walk off stage though and I turn away from the audience, I go back to being me again. Whenever I see an audience, that’s when I turn into Alice. If there was no audience there, there would be no reason to be Alice. . If I tried to be Alice Cooper all the time — I’d either be in an insane asylum or in jail or dead. Alice is just too intense, and you just can’t be Alice all the time. Jim Morrison couldn’t be Jim Morrison, so he died. Jimi Hendrix couldn’t be Jimi Hendrix, so he died. That’s really what killed Janis Joplin, Keith Moon and all the way down the line. They were all animated characters who couldn’t live up to their lifestyle, so I said that I needed to be able to separate the two — that’s why I’m still here.

 

Alice Cooper

 

Kiss and cling to them, kiss and leave them,
Bright and beguiling:—
Bright and beguiling, as She who glances
Along the shore and the meadows along,
And sings for heart's delight, and dances
Crowned with apples, and ruddy, and strong:—
Can we see thee, and not remember
Thy sun-brown cheek and hair sun-golden,
O sweet September?

 

Francis Turner Palgrave