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Taylor Caldwell

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"I shudder at the very thought of being born again into this world. Life to me . . . has been a monstrous, painful, agonizing affair, and the idea of repeating such an existence - even if better in a way - is horrifying to me. . . . I gratefully look forward to oblivion, but I must be sure of it."
--
"The Search for a Soul" by Jess Stearn

 
Taylor Caldwell

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It wasn't the New World that mattered ... Columbus died almost without seeing it; and not really knowing what he had discovered. It's life that matters, nothing but life — the process of discovering, the everlasting and perpetual process, not the discovery itself, at all. But what's the use of talking! I suspect that all I'm saying now is so like the usual commonplaces that I shall certainly be taken for a lower-form schoolboy sending in his essay on "sunrise", or they'll say perhaps that I had something to say, but that I did not know how to "explain" it. But I'll add, that there is something at the bottom of every new human thought, every thought of genius, or even every earnest thought that springs up in any brain, which can never be communicated to others, even if one were to write volumes about it and were explaining one's idea for thirty-five years; there's something left which cannot be induced to emerge from your brain, and remains with you forever; and with it you will die, without communicating to anyone perhaps the most important of your ideas. But if I too have failed to convey all that has been tormenting me for the last six months, it will, anyway, be understood that I have paid very dearly for attaining my present "last conviction." This is what I felt necessary, for certain objects of my own, to put forward in my "Explanation". However, I will continue.

 
Fyodor Dostoevsky
 

"As an auxiliary to all of this," he said, "I have found myself speculating upon a world in which no one ever grew up. I admit, of course, that it is a rather acrobatic feat of thinking, not entirely consistent, to leap from the one idea to the other. In a world where one was able to package his experiences, he merely would be able to relive at some future time the experiences of the past. But in a world of the eternally young he'd have no need of such packaging. Each new day would bring the same freshness and the everlasting wonder inherent in the world of children. There would be no realization of death and no fear born of the knowledge of the future. Life would be eternal and there'd be no thought of change. One would exist in an everlasting matrix and while there would be little variation from one day to the next, one would not be aware of this and there'd be no boredom..."

 
Clifford D. Simak
 

It's not true that you should first think up an idea for a better world and only then "put it into practice," but, rather, through the fact of your existence in the world, you create the idea or manifest it — create it, as it were, from the "material of the world," articulate it in the "language of the world."

 
Vaclav Havel
 

Richard's idea was that every man, by doing all the good he could in this life, always working for others, for the human race, always acting "Excelsior," should leave a track of light behind him on this World as he passes through. His idea of God was so immeasurably grander than anything people are usually taught to think about God. It always seemed to him that we dwindled God down to our own mean imaginations; that we made something like ourselves, only bigger, and far crueller. There is some truth in this; we are always talking about God just as if we understood Him. His idea of a Divine Being was so infinite, so great, that to pray to Him was an impertinence; that it was monstrous that we should expect Him to alter one of His decrees, because we prayed for it; that He was a God of big universal love, but so far off, as to be far above anything we can understand.

 
Sir Richard Francis Burton
 

Tools arm the man. One can well say that man is capable of bringing forth a world; he lacks only the necessary apparatus, the corresponding armature of his sensory tools. The beginning is there. Thus the principle of a warship lies in the idea of the shipbuilder, who is able to incorporate this thought by making himself into a gigantic machine, as it were, through a mass of men and appropriate tools and materials. Thus the idea of a moment often required monstrous organs, monstrous masses of materials, and man is therefore a potential, if not an actual creator.

 
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