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Stewart Copeland

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Melody comes from rhythm.

 
Stewart Copeland

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I think I only needed something to hold on to. It has never been about depravity. It's always been about melody. But melody and I met in many depraved situations. Meeting melody is the victory of the empty spiralling nightmare.

 
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Hey, get rhythm when you get the blues.
Hey, get rhythm when you get the blues.
Yes a jumpy rhythm makes you feel so fine.
It'll shake all the trouble from your worried mind.
Get rhythm when you get the blues.

 
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One day I said to myself that it would be better to get rid of all that—melody, rhythm, harmony, etc. This was not a negative thought and did not mean that it was necessary to avoid them, but rather that, while doing something else, they would appear spontaneously. We had to liberate ourselves from the direct and peremptory consequence of intention and effect, because the intention would always be our own and would be circumscribed, when so many other forces are evidently in action in the final effect.

 
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"Can you hear the rhythm of all/Allah's creation? The rhythm of the clapping of the thunder and the rain? Can you see the rhythm of all creation? The lightening and the leaves and the seasons as they change?"

 
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With Moondance, I wrote the melody first. I played the melody on a soprano sax and I knew I had a song so I wrote lyrics to go with the melody. That's the way I wrote that one. I don't really have any words to particularly describe the song, sophisticated is probably the word I'm looking for. For me, Moondance is a sophisticated song. Frank Sinatra wouldn't be out of place singing that.

 
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