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Steve Turner

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This object of great beauty—even in its stricken condition—went down with a terrifying roar…a sound that survivors later described as the most bloodcurdling they had ever heard.
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p. 154

 
Steve Turner

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[Hearing Callas in Norma in 1952] was a shock, a wonderful shock. You just got shivers up and down the spine. It was a bigger sound in those earlier performances, before she lost weight. I think she tried very hard to recreate the sort of “fatness” of the sound which she had when she was as fat as she was. But when she lost the weight, she couldn’t seem to sustain the great sound that she had made, and the body seemed to be too frail to support that sound that she was making. Oh, but it was oh so exciting. It was thrilling. I don’t think that anyone who heard Callas after 1955 really heard the Callas voice.

 
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Bom. So have I heard on Afric's burning shore
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Again he struck the harp and began the jig. But this time it was such music as never came from a harp. It was the wildest, strangest music you ever heard, full of the sound of birds and the cries of animals and the wind and the rain, and the thunder and the lightning, and the dashing of huge waves against the shores of a great cold ocean that was formed from ice that had made its way slowly down from Ultima Thule. It was the sound of a world before mankind. It was the sound of the great merriment God must have known during the long days of Creation.

 
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The silver trump of freedom had roused my soul to eternal wakefulness. Freedom now appeared, to disappear no more forever. It was heard in every sound, and seen in every thing. It was ever present to torment me with a sense of my wretched condition. I saw nothing without seeing it, I heard nothing without hearing it, and felt nothing without feeling it. It looked from every star, it smiled in every calm, breathed in every wind, and moved in every storm.

 
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