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Stanley Kubrick

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I love almost all of Stanley Kubrick, there’s almost no Stanley Kubrick I don’t love. I love Lolita, I love Dr. Strangelove. I love A Clockwork Orange, obviously. I even like a lot of Barry Lyndon (laughs). And early stuff, like The Killing and Paths of Glory. … It’s ridiculous. Look, he made the best comedy ever, he may have made one of the best science fiction movies ever, he made the best horror movie ever. I couldn’t watch the end of The Shining. I went through half The Shining for years before I could finish, because I’m a writer and as soon as he starts writing “All work and no play makes Jack a dull boy,” I had to turn it off. It’s almost like Picasso in that he mastered so many different genres. … he took his time and patience and he had a crew of like 18 people. They were very handmade movies these were not large behemoths that he did; they were very thoughtful and his editing process was long. He’s kind of without peer really. If I was gonna settle on a director, probably Kubrick.
--
Gary Ross, after being asked if he had a favorite director, as quoted in "Director Gary Ross Talks The Hunger Games, Catching Fire, Deleted Scenes, and a Lot More" by Steve 'Frosty' Weintraub at Collider (22 March 2012)

 
Stanley Kubrick

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Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.

 
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...a creation of Kubrick....a lesser English novelist until Kubrick came along with that film....the book was more or less forgotten until Kubrick made the film....Thanks to the film [Burgess was] transformed into a personality.

 
Anthony Burgess
 

Here’s something you don’t hear said about many movie critics: people love Roger Ebert. ... There’s a good reason for this: Ebert doesn’t stand between moviegoers and the audience. Rather, his regular readers are serious movie-lovers who see him as their rep, the guy out there fighting to make movies less stupid, more entertaining, more intelligent, more everything. You don’t have to agree with him — and I certainly didn’t in this book, when he ragged on Team America and Jesus is Magic, two movies where I laughed myself sick — to know that he’s on your side. He sees the bad movies so you don’t have to, and he’s seen the same ones over and over. ... Mere bile, though, isn’t his game; he’s as interested in why movies fail as why they work. A lot of the time, it’s obvious: because it’s made by morons for morons. In these cases, Ebert drags us through the plot in as entertaining a fashion as possible. ... Forty years on, he’s still a moviegoer’s best friend.

 
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We were supposed to collaborate once, and along with Kurosawa make one love story each for a movie produced by Dino de Laurentiis. I flew down to Rome with my script and spent a lot of time with Fellini while we waited for Kurosawa, who finally couldn't leave Japan because of his health, so the project went belly-up. Fellini was about to finish Satyricon. I spent a lot of time in the studio and saw him work. I loved him both as a director and as a person, and I still watch his movies, like La Strada and that childhood rememberance...

 
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The movie industry is run by accountants in Hollywood and it's as simple as this; everyone has a number on their computer. They can look up Jeremy Irons and see what my last five movies have made. Say you want to make a $20m picture, which is relatively cheap. If Jeremy makes $9m, the director makes $5m, then you need a leading lady, and they just go through those figures - that's how casting happens. And none of my movies has made a lot of money.

 
Jeremy Irons
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