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St. Vincent (musician)

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I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 
St. Vincent (musician)

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Brian Wilson
 

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Robert Fulghum
 

I talked to Paul McCartney over the years ranging from 1967 to 2004. ... At the landmine show he did "God Only Knows" with me and I did "Let It Be" with him. And then I called him about four months ago asking him if he could come out and do — sing a song called "A Friend Like You," which I wrote for him, me and my collaborator wrote for him. And he said he'd love to come out. And he came to the studio and that was one of the bigger thrills of my life to tell you the truth, to produce Paul McCartney. And that was a thrill for me. That was a thrill.

 
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I used to do Grade Exams, but my mum will tell you I didn't over-practise for them at all. I never practised, just played. I loved to play. I loved to play a lot* If one mistake is made with young children, it is trying to make them practise rather than just letting them play.' She played hymns at church ('My parents were very religious when we were young') and 'all the Top of the Pops number ones next morning at school. Things like David Bowie's "Life On Mars". That's got a very good piano part. And ever since I was six or seven years old, I always liked Bach - that's why I recorded the Anna Magdalene Notebook, little 16-bar preludes that Bach wrote for children.' I was amazed at how serious the other kids were about the whole thing, much more disciplined than I was, and with this attitude of "Ooh, I can't play sports because I might hurt my fingers" or "I can't listen to pop music because that's really terrible.

 
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