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Sir Richard Francis Burton

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When doctors differ who decides amid the milliard-headed throng?
Who save the madman dares to cry: "'Tis I am right, you all are wrong"?
"You all are right, you all are wrong," we hear the careless Soofi say,
"For each believes his glimm'ering lamp to be the gorgeous light of day."
"Thy faith why false, my faith why true? 'tis all the work of Thine and Mine,
"The fond and foolish love of self that makes the Mine excel the Thine."
Cease then to mumble rotten bones; and strive to clothe with flesh and blood
The skel'eton; and to shape a Form that all shall hail as fair and good.

 
Sir Richard Francis Burton

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This "I" of mine toils hard, day and night, for a home which it knows as its own. Alas, there will be no end of its sufferings so long as it is not able to call this home thine. Till then it will struggle on, and its heart will ever cry, "Ferryman, lead me across." When this home of mine is made thine, that very moment is it taken across, even while its old walls enclose it. This "I" is restless. It is working for a gain which can never be assimilated with its spirit, which it never can hold and retain. In its efforts to clasp in its own arms that which is for all, it hurts others and is hurt in its turn, and cries, "Lead me across". But as soon as it is able to say, "All my work is thine," everything remains the same, only it is taken across.
Where can I meet thee unless in this mine home made thine? Where can I join thee unless in this my work transformed into thy work? If I leave my home I shall not reach thy home; if I cease my work I can never join thee in thy work. For thou dwellest in me and I in thee. Thou without me or I without thee are nothing.

 
Rabindranath Tagore
 

He said "I'll punch your head!" I said "Whose?" He said "Yours!"
I said "Mine?" He said "Yes!" I said "Oh?"
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Robb Wilton
 

"'Waterloo was won,'" quoted Rackham, "'on the playing fields of Eton.'"
"What the hell does that mean?" asked Carn Carby. "You never even went to Eton."
"It was an analogy," said Rackham. "If you hadn't spent your entire childhood playing war games, you'd actually know something. You're all so uneducated."

 
Orson Scott Card
 

Then legionaries wrote down several maxims I collected either from the Gospels or from other writings. They embelished our walls. Here are some of them: "God carries us on His victorious chariot." "Whoever wins.... I shall be his God." "He who does not have a sword, let him sell his cloak and buy one." "Fight bravely for faith." "Avoid carnal pleasures, for they kill the soul." "Be vigdant." "Do not destroy the hero that is in you." "Brothers in fortune... as in misfortune." "Whoever knows how to die, will never be a slave." "I await the resurrection of my Fatherland and the destruction of the hordes of traitors," etc.

 
Corneliu Zelea Codreanu
 

What is this thing, "imagination?" A muscle that can be "forced" or "stretched"? Or something immune to the ethos of ganbaru [grit it out, or strive for one's best]? Like the relativist's view of light, it is both wave and particle, depending on what you want it to be. The verb "to imagine" is both active and passive, as in "Steve imagined his future," and "Such a future was never imagined." So, I work on my novel by imagining the world of 18th-century Nagasaki and its people and their fears and desires, as an act of will, and a lot of will is involved, believe me. However, I could ganbaru until I'm blue in the face. If my imagination doesn't work "passively" or even "intransitively," at its own behest rather than mine, and come up with cliche-demolishing twists of phrase and turns of plot and happy accidents and unexpected reactions from characters, then the book will be sterile. Well-written with luck, and even intelligent, but sterile. (...) Imagination is what makes art fertile.

 
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