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Samuel Richardson

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I am forced, as I have often said, to try to make myself laugh, that I may not cry: for one or other I must do.
--
Vol. 2, p. 231; Letter 92.

 
Samuel Richardson

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We can laugh at comedies like this for two reasons: Because we feel superior to the characters, or because we pity or like them. I do not much like laughing down at people, which is why the comedies of Adam Sandler make me squirmy (most people, I know, laugh because they like him). In the case of Napoleon Dynamite, I certainly don't like him, but then the movie makes no attempt to make him likable. Truth is, it doesn't even try to be a comedy. It tells his story and we are supposed to laugh because we find humor the movie pretends it doesn't know about.

 
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Such a proud moment of professionalism. You work for years crafting cogent satirical essays and the thing that everybody remembers is me making love to a Chiquita and bursting into laughter. What you can't see off camera is Jon started laughing first. And then I'm weak. As much as I want to make the audience laugh, I really want to make Jon laugh.

 
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Whenever the circus would come to town, I would tell Ethan all kinds of kinky clown domination stories involving the leather clown, like the time she forced me to have sex with her in the little car, or the time she kept spraying me with the seltzer bottle until I obeyed her every command. Ethan and I would laugh and laugh at these tall tales, but I could tell deep down, he was wondering whether the leather clown was really real or not. And I would let him wonder.

 
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Maybe not you, buddy, but the rest are even scared to open up and laugh. You know, that's the first thing that got me about this place, that there wasn't anybody laughing. I haven't heard a real laugh since I came through that door, do you know that? Man, when you lose your laugh you lose your footing.

 
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